Explosions in the Sky will be spending much of the summer touring the festival circuit, as their website makes clear. Then, in the fall, they will be launching their first North American tour in roughly four years. The dates are listed below, as well as on the homepage of their website, which could be updated with additional dates in the near future. Be still, my trembling hands.
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The lonely organ and the disembodied voice have been staples of independent music since Suicide, but rarely have a group sounded so dandy about his isolation as Wet Hair’s Shawn Reed and Ryan Garbes do here. The video continues the vein of hypnagogic/chillwave’s psychedelic YouTube descrambling, which is really having a hard time finding a way to get old. “Labor of Love” is off a split with goth-leaning Naked on the Vague off of the Iowa-based Night People label.
Crowded House leader Neil Finn has formed a new band, Pajama Club, with his wife Sharon. Pajama Club also includes Anna Skyring, ex-the Grates, and Sean Donnelly.
The band have not yet made any announcements regarding an album, but they have released the track “From a Friend to a Friend”. With Sharon on lead vocals, it has a garagey, almost Sonic Youth-type vibe. You can download it free if you sign up for the official Pajama Club mailing list.
Also, Pajama Club will be playing in Australia and the US over the summer. Dates after the jump.
UK producer Cameron McVey, who has produced the work of Massive Attack, Tricky and Portishead, as well as that of his wife trip-hopper Neneh Cherry, formed cirKus back in 2006 with DJ Matt Karmil. They’ve since added Neneh Cherry and Lolita Moon to the mix to become a quartet and just released their second album, Medicine. Today we offer up two remixes of single “Bells”. You check out the original in video form after the jump. The Bedsit remix completely reimagines the piece from the top down, removing the vocals and producing a jagged, techno thumper. Eli Escobar stays truer to the original, focusing on generating a mellow groove.
The influence of Alan McGee’s Creation Records on the course of mid-‘90s British music can’t be ignored. The label actually made its name in the burgeoning indie scene of the previous decade, with a roster of bands that included My Bloody Valentine and the Jesus and Mary Chain. As Primal Scream’s Bobby Gillespie puts it, McGee specialised in the signing of “outsiders, chancers, lunatics…” whose behaviour made them, and their label’s boss, notorious.
During the label’s ‘90s heyday, Oasis’ public feud with mockney rivals Blur made headlines in Britain even as their album What’s the Story (Morning Glory)? came to represent the mod-referencing, self-consciously retro spirit of its times. McGee, meanwhile, was courted by the Labour party before they came to power in 1997, in a bid to keep the younger elements of the electorate on side by playing up to a “Cool Britannia” ethos. Just two years later, however, as McGee’s dissatisfaction with the music business grew, Creation closed. Upside Down: The Creation Records Story tells the label’s riotous tale. It’s now available on DVD in the UK, with worldwide release dates yet to be confirmed.