Brian Suarez, aka Allies, blends synth-pop and über dancy electro in a masterful way that produces instantly memorable tunes. Allies’ EP was released just this past March via iTunes and Suarez also dropped a mixtape last month featuring the likes of Florence and the Machine and Röyksopp. “Oceans” is a catchy synth tune that will appeal to fans of OMD and Underworld, while the Thade remix we premiere today strips the song down more to its essentials, converting into something more like blippy, glitch electro-pop.
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Odd Future Wolf Gang Kill Them All (OFWGKTA) just announced on their Tumblr page a string of new tour dates, which finds the Los Angeles-based hip-hop collective making their debut in several eastern U.S. cities and also heading to Canada for the first time. The tour kicks off on May 12 in Boston, which will be just two days after the crew’s mastermind, Tyler, the Creator, releases his highly anticipated sophomore effort Goblin.
The issued flyer for the shows initially listed their Philadelphia concert as taking place on May 14th, but a subsequent update stated that it goes down on May 20th.
The new tour dates are listed below.
5/12 Boston, MA - Paradise
5/13 New York, NY - Highline Ballroom
5/15 Toronto, ON - Mod Club
5/16 Detroit, MI - Magic Stick
5/18 Washington, DC - Rocknroll Hotel
5/19 Baltimore, MD - Sonar
5/20 Philadelphia, PA - 1st Unitarian Church
Anticon’s 2011 release slate is quickening, with several albums on the way, including Son Lux’s We Are Rising on April 26 and 13 & God’s Own Your Ghost on May 17. These releases join early 2011 titles from Beans (the heavy hitting End it All) and Antonionian (Antonionian, the solo debut of Jordan Dalrymple).
The label offers a couple of videos in support of the new releases. The first takes us behind the scenes of the innovative artwork-making process for We Are Rising:
Tamra Davis’ thoughtful documentary about Jean-Michel Basquiat premieres as part of Independent Lens on Tuesday, 12 April. At first, the film retells some familiar stories: Basquiat was a genius, ahead of his time and also “too fragile for this world,” as Madonna once described him. He loved women or misread them. He challenged or was foiled by the art world’s corrosive elitism, he was intuitive and authentic, or he fell victim to the monster called celebrity. He died too young, at 27, of a heroin overdose, alone, undone by his father’s disapproval or Andy Warhol’s death, or maybe his endless frustrations with racism. But it also offers less familiar insights. Built on a 1986 interview Davis conducted with her friend Basquiat, it shows him as funny, shy, and frank. Other interviewees—including Fab 5 Freddy and Julian Schnabel—knew or didn’t know him, appreciated his work or know something about his life choices. Some speakers point out what’s both most obvious and least discussed concerning Basquiat’s perennial alienation. Nelson George says, “The guy obviously spent a lot of time thinking and angry about what his place in the world was and the place of black people and black men in the world. It’s all in all his work, over and over again.”
See PopMatters’ review.
Lexus has teamed with MOG to spotlight some of music’s best up-and-comers, including PopMatters favorites like Twin Shadow, Yuck, Smith Westerns and the Rural Alberta Advantage. If you head on over to this music hub, you can download tunes, check out tour dates, and watch videos from those bands and more.
// Short Ends and Leader
"Mystery writer Arthur B. Reeve's influence in this film doesn't follow convention -- it follows his invention.READ the article