Forget about the cheery presence of Bananarama’s “Cruel Summer” in The Karate Kid. Is not this a goth song incognito? There is undoubtedly a distinct sense of isolation, alienation and melancholy in it, and the lyrics betray as much. But it’s mainly viewed as a happy, perfunctory, feel-good summertime song. For instance, one is easily tempted to hear “cool” instead of “cruel” in the song’s refrain. This track is begging for a certain band—Marilyn Manson—to cover it. After all, Manson’s most peculiar cover of the Eurythmics’ “Sweet Dreams (Are Made of This)” essentially put Manson on the radar. Marilyn Manson has previously covered Soft Cell’s “Tainted Love” and, of course, Depeche Mode’s “Personal Jesus” with considerable success. Why not cover another esteemed 1980s song?
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Happy Valentine’s Day, Radiohead fans! Earlier today, the band made the surprise announcement that they’ll be releasing their eighth studio album, The King of Limbs, and it will be available as a digital download on Saturday, Feb. 19. Yes, that’s in five days!
But unlike the band’s last album, 2007’s In Rainbows, the digital release of King of Limbs will have a set price. An MP3 version of the album will cost $9 and a CD-quality WAV version will go for $14.
Radiohead also plans to offer up this spring a so-called “newspaper album” edition of The Kings of Limbs, which will consist of two 10-inch vinyl LPs and a CD, along with “many large sheets of artwork, 625 tiny pieces of artwork and a full-color piece of oxo-degradable plastic to hold it all together”. This deluxe edition of the release will cost either $48 (which will also include the MP3 digital files) or $53 (for the WAV files), and will ship on May 9.
According to Greg Kot of the Chicago Tribune, “standard CD and vinyl versions of the album will be made available March 28 in retail outlets through a partnership with XL Recordings.”
Head over to thekingoflimbs.com to preorder the album.
Arcade Fire may be the first indie act to win a Grammy for Album of the Year, but they may have company next year: titans of this new millennium (and fellow indie act since the self-release of 2007’s In Rainbows) Radiohead gave the world a Valentine’s Day surprise this morning. The UK group announced the release of their eighth studio album, The King of Limbs, set to drop digitally this Saturday and in physical form May 9th.
Thom Yorke and co. are calling The King of Limbs the world’s first “newspaper album”, which apparently has something to do with the amazing packaging that buyers of the physical release will find. The band’s website says the record will include:
- Two clear 10” vinyl records in a purpose-built record sleeve.
- A compact disc.
- Many large sheets of artwork, 625 tiny pieces of artwork and a full-colour piece of oxo-degradeable plastic to hold it all together.
- The Newspaper Album comes with a digital download that is compatible with all good digital media players.
- One lucky owner of the digital version of The King of Limbs, purchased from this website, will receive a signed two-track 12” vinyl.
The King of Limbs as available for digital and physical pre-order now. Get in line to buy here.
CBS devoted three and a half hours to the Grammys, not counting the many commercial breaks. (In all fairness, most of the ads featured musicians or were from Target’s backstage at an award show-themed campaign.) However, only ten awards were presented on air in order to make room for more performances and meaningless celebrity presenters.
The Big Winners:
Best Pop Performance By a Duo Or Group: Train “Hey Soul Sister”
Best Female Country Vocal: Miranda Lambert “The House That Built Me”
Rock Album: Muse The Resistance
Best Pop Vocal Album: Lady Gaga The Fame Monster
Best Country Album: Lady Antebellum Need You Now
Song of the Year: Lady Antebellum “Need You Now”
Best New Artist: Esperanza Spaulding
Best Rap Album: Eminem Recovery
Record of the Year: Lady Antebellum “Need You Now”
Album of the Year: Arcade Fire The Suburbs
Lifetime Achievement Honorees: Dolly Parton, Julie Andrews, Roy Haynes, Juilliard String Quartet, the Kingston Trio, Ramones, and George Beverly Shea
The Big Winners That Weren’t Shown on TV:
Best Alternative Music Album: The Black Keys Brothers
Best Dance Recording: Rihanna “Only Girl (In the World)”
Best Solo Rock Vocal Performance: Paul McCartney “Helter Skelter (Live)”
Best Country Song: Lady Antebellum “Need You Now”
Best Contemporary R&B Album: Usher Raymond Vs. Raymond
Best Female Pop Vocal: Lady Gaga “Bad Romance”
Best Male Pop Vocal: Bruno Mars “Just the Way You Are”
The Best Performances:
Some of the night’s performances were great and memorable, especially those which paid tribute to other artists.
Lady Gaga’s “incubation” bit was extraordinary, and her courage to be herself—creative and singular—must be respected; and she won three awards. At the same time, in terms of sheer substance, tonight her rendition of her new single “Born This Way” was, while intriguing, not relatively grand. In fact, it was problematic—several of the lyrics just were not sung by her live, and this was quite evident, as the song would go on while she turned her head from her microphone. It’s difficult to maintain both “off the wall” theatre and efficacious song renditions. It’s also difficult to beat her own performance last year—which included much more theatre—a bird nest, zombies, Gaga tossed into a burner, Elton John—alongside potent, substantive renditions. Instead, in my view, Kansas Citian Janelle Monáe stole the show, ironically, by using little to no overt drama: her “Cold War” bit exuded vocal strength, keen dance moves, and she did not require a quasi-uterus prop to achieve any credibility or success.