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Thursday, Mar 26, 2015
The new LP from this British quartet, Danger in the Club, will be out on 5 May via Rough Trade.

The rambunctious indie rockers of the Palma Violets have announced the release of their new record, Danger in the Club, following a particularly eventful week at the 2015 South by Southwest music festival. After one spirited evening at the Parish venue, the band had to be forcibly removed from the stage for playing past the assigned curfew. For an audio sample of Palma Violets’ take on rock ‘n’ roll, as well as tour dates where you can catch their energetic live show, read more below.


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Thursday, Mar 26, 2015
Run the Jewels take a track from their highly acclaimed Run the Jewels 2 LP and set it to a video that documents the rough reality of police violence in the United States.

Run the Jewels 2 is PopMatters‘s pick for the Best Album of 2014. Of the many highlights off of that riotously fun and culturally incisive LP, “Close Your Eyes (and Count to Fuck)”, now has a music video to accompany it, directed by AG Rojas and starring Shea Whigham (Boardwalk Empire and Wolf of Wall Street) and Keith Stanfield (Selma and Straight Outta Compton). The video depicts the troubling state of citizen/police relations in the United States, especially following the 2014 tragedies of Michael Brown and Tamir Rice.


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Thursday, Mar 26, 2015
"Lifted Up (1985)" is right and ready to color your next dance party, with a jubilant chorus that's ripe for belting along.




Kindred is out on 21 April via Columbia.


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Thursday, Mar 26, 2015
Those still recovering from the bitter winter months, particularly in America's Northeast region, will find much to relate to in Colorway's ode to summertime, "Come Back July".

As countless weather reports and Buzzfeed listicles can attest, the Northeast region of America had a tough winter this year. No better time, then, for the new tune by the Northampton, Massachusetts band Colorway, called “Come Back July”. Written between 9PM 31 July and midnight 1 August of 2014, this simple yet catchy rock number is an honest plea for a time where one doesn’t have to take a Himalayan trek to get outside of one’s own home. For lead vocalist, guitarist, and songwriter F. Alex Johnson, this is “the time of the year when my little slice of the world feels the most alive—before it leaves us all for another twelve months.”


“Come Back July” is featured on Colorway’s upcoming studio LP, The Black Sky Sequined.


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Wednesday, Mar 25, 2015
Reptar writes '80s-indebted indie pop with an a bleak undercurrent, like "blood in an above ground swimming pool."

Much like Autre Ne Veut did with his mind-blowing sophomore outing Anxiety in 2013, with Lurid Glow Reptar have a way of taking dozens of seemingly disparate sounds, throwing them together, and coming up with some wildly inventive and fun pop tunes. Such is especially the case for Lurid Glow, Reptar’s second studio LP, which is described as “indie-electro-guitar-pop-weirdness” in its press materials. That description isn’t far off. There’s a definite goofiness to this music—after all, a band doesn’t name themselves after a Rugrats character without a bit of tongue in cheek—but it’s that very goofiness that gives a little levity to the at times tricky experimentation. On paper, a track like “Cable” appears nothing more than ‘80s pastiche; filtered through the personality of Reptar, “Cable” becomes something best described as ‘80s workout video music from hell—in a good way, of course. With a Zappa-esque approach to pop music and its possibilities, Lurid Glow stands out amidst the early year crop of releases.


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