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The all-too-easy to make generalization about the state of the Brooklyn music scene in 2015 is that it’s comprised of a bunch of white guy-led indie bands all trying to out-falsetto Thom Yorke. However, like any music scene, such sweeping generalizations don’t fully encompass the diversity of musical exploration that one can find if he really digs beneath the surface. Enter: Brooklyn Gypsies.

Having garnered props from BBC’s Gary Crowley, Oasis’ Liam Gallagher, and the Jesus and Mary Chain (who they have supported in live gigs), Wakefield, UK’s the Incredible Magpie Band have already made a distinct impression prior to the release of their debut LP, Introducing, which is out next week. These chaps sound like they just rolled out of a time capsule buried in the ‘60s, with the sounds and tropes of the UK pop scene of the era well imbued. Yet the band doesn’t merely go for the default Beatlemania poses; it also injects a modern indie sensibility into the proceedings, resulting in a record that has its feet firmly planted both in its own time and the past.

Back in March, Arcade Fire member Will Butler dropped his debut solo LP, Policy. While that record is a clear inheritor of the omnivorous musical predilections of those indie giants, in his latest video Butler strips things down to a simple and cozy arrangement. This is because Butler is among the latests artists to take to London’s Black Cab Sessions, wherein an artist or band plays a song in the back of a London cab—while it is moving. Certainly not the most comfortable of environs for a musician trying to focus on playing a tune, but Butler makes it work with his performance of “Madonna”, also known as “Madonna Can’t Save Me Now”.

Scottish-Australian singer/songwriter Colin Hay is perhaps best known as a member of the Australian rock outfit Men at Work, or more recently as the dude who randomly appeared on Scrubs at any given moment. Most importantly, though, he’s an alive-and-thriving musician that just released his 12th solo record, Next Year People. Hay will soon begin touring the album in the US for a second time, following an almost entirely sold out initial run, this time joined by the Barenaked Ladies and the Violent Femmes. (For tour dates and more, visit his official website.)

Once upon a time, Terrence Malick was known for the lengthy gaps between his films. His much-revered late ‘70s tone poem Days of Heaven was followed up 20 years later with 1998’s meditation on war The Thin Red Line. In the past decade and a half, Malick’s productivity has seen an uptick: since 1998, he’s released three new films: The New World (2005), The Tree of Life (2011), and To the Wonder (2012).

//Blogs

'Herald' Attempts the Troubled Waters of the Colonial Narrative

// Moving Pixels

"The “colonialism” at play is not between nations, rather it seems more interested in how it influences a man recently come of age.

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