“How’s your English?” a grainy image shows a figure in an orange jumpsuit, his face obscured and his figured bent. His questioner is even harder to read, appearing as fragments, an arm, a blurred out face. Both are viewed through a frame, as this is a video made of an interrogation, the camera peering down and into the room, the angle itself disconcerting, as it suggests you’re seeing something that maybe you shouldn’t. This is the start of Omar Khadr’s ordeal, recounted in Luc Côté and Patricio Henríquez’s documentary You Don’t Like the Truth: 4 Days Inside Guantánamo, showing 16 May at the Human Rights Watch Film Festival in DC. Khadr was 15 years old when he was captured in Afghanistan in 2002, then sent to Guantánamo, where he was interrogated and tortured. In 2010, he pleaded guilty to five charges, including “murder in violation of the law of war,” as part of a plea agreement with military commission prosecutors. A Canadian, Khadr is currently the only Western citizen still detained at Guantánamo. And to this day, he remains detained, despite that plea agreement.
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Bloody hell! Either the news that Daniel Miller is playing synths on this just made my laptop crash in climax, or Richard X was midi’ing via the espresso machine when he remixed this one. Either way, mid-paced is not a word to be bandied around this skew on Poppy & the Jezebels’ new single.
Out a week ahead of the official single release, this, the “Richard X Meets Larry Least Remix” of the first new music from Poppy & the Jezebels in too long, is a belter. Somewhere between Suicide on happy pills and some ADHT kid dunking ringtones in Red Bull, “Sign In, Dream On, Drop Out” is just the kind of pop joy thing we need on Mondays.
The band seeks to emerge into the mainstream as hard rock “titans” with this new release. A stream of new album tune “Take My Bones Away” is available now.
This Vincente Minnelli-directed Lerner and Loewe movie musical is often considered the last great big screen MGM musical production. Gigi was literally star-studded all the way, from behind the scenes to the big name actors listed on the marquee. The legendary Arthur Freed produced—also his last great film—and Andre Previn conducted the orchestra, with the incomparable Alan Jay Lerner penning the screenplay and the song lyrics with music by Frederick Loewe.