When we previously looked at the new material coming out of Jonna Lee’s iamamiwhoami project, we found that her synth side project had evolved from experimental film whodunnit into something much more succinct, poppy, and remarkably catchy. “Goods” was the final track off of Kin, iamamiwhoami’s first official album, and it was funky, emotive, and really, really fun. We called it “The Most Inexplicable Song of the Summer Candidate You’re Ever Gonna Hear”, and even now, that statement still stands.
Yet diving deeper into Kin reveals just how well constructed and multifaceted this project is. After several listens, the whole thing begins to feel like the best Bjork album that Bjork never made: sonically daring without sacrificing song structure or emotive impact. The songs are very good and the corresponding film for the disc (feature wild choreographed numbers with a bunch of mop/Wookie creatures) is a miniature epic in its own right; but at the end of the day, there is one other track that stands out strongly from the rest.