Latest Blog Posts

by Adrien Begrand

25 Aug 2015


A mix of pop, folk, and a twee, very English interpretation of country music, London trio Honey Ryder have a couple top 40 UK singles under their belts as well as several British Country Music Award nominations (yes, there is a British Country Music Awards). However after collaborating with several top writers in Nashville and recording with producer Paul Worley (Dixie Chicks, Lady Antebellum) they have their sights set on becoming that extremely rare British country act to crack the US market.

by Adrien Begrand

25 Aug 2015


Hailing from Upstate New York, Winston Dunlop and Michael Diaz met in the fifth grade, bonded over their love of Animal Collective and Joy Division, started to make music, eventually discovering early King Crimson on the way to writing and recording their debut full-length album. So their bio says, anyway.

by Adrien Begrand

25 Aug 2015


Portland’s the Lonesome Billies incorporate classic country and Southwestern themes much like the Sadies and Calexico, and you can hear it immediately on “1922”, a selection from their upcoming debut album It’s Good to Be Lonesome.

by Adrien Begrand

25 Aug 2015


Americana duo Doug and Alyssa Graham (The Grahams) released their second studio album Glory Bound back in May. On that record is a song called “Gambling Girl”, which as it turns out is a wonderful woman’s response to the classic American traditional “Delia”, on which Alyssa turns the table on the classic story. They’ve just completed a video for the track, one that puts the great Jane Russell in the title role.

by PopMatters Staff

24 Aug 2015


Paul Duffus: Wolf Alice get a couple of things very right here. Firstly, the line “You’re a dodgy fucker as well!” is a decent way to end a chorus. Swearing is good and more bands should consider it as a way of adding caffeine to their lyrics. Personally I wouldn’t have ended the line with “as well”, which is weak. After “fucker”, maybe go for a c-bomb to finish things off with a bang. Just stick the second person personal pronoun in before it to make up the syllables, and boom: We have Rock! It doesn’t need to make sense. Secondly, the video is great. You get to see the band getting killed over and over again, which is also something many other bands should consider in their promos. It offers a bit of catharsis if the song is especially bad, which, well, this kind of is. Sort of grungy, poppy, rocky, there’s a kerrannngg from the guitar about 30 seconds in, which you hope is going to signal all kinds of groin-pumping heaviness, but turns out to be only a passing thought. Any awesomeness hinted at by the video and that one moment of axe-gasm never materialises. [5/10]

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'Game Art': Letting the Developers Speak

// Moving Pixels

"In Game Art, Matt Sainsbury is asking questions of video game developers that one might ask a movie director or a novelist or a painter.

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