Autumn is the nurse seen in episode 3, “Robot Lovestory”. We learn here that she is Specim3n’s wife, and made a deal to save his life—which brought him into the Dark Doctor’s laboratory/hospital. Having helped Specim3n escape, Autumn retreats home, but is found by the Dark Doctor, who reminds her of the deal she made for her husband’s life, seizing control of her body in a dance-world parallel to the puppetmaster villain (Eric Doyle) seen in the show Heroes. This establishes another pair of opposite-side characters, with Justin Starr and Jimmy Angel already looking to fall on opposing sides of the Uprising vs. LXD conflict.
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Dive Index works in true 21st century creative fashion, tapping into talent around the world by collaborating over the Internet. Frontman Will Thomas developed the musical concepts in New York and then emailed his geographically scattered vocalists and they exchanged parts of the music online. The music is diverse and not easily classified, but one hears a deep urban aesthetic across the varied grooves. While so much of this sounds polished, it does venture into the lo-fi end of things as one session took place in the changing room of a London boutique. The album from which this song “Cut” derives is titled The Surface We Divide and will be released 12 October via Neutral Music. Guest artists include Joseph Arthur, Mark Gardener (Ride), Cat Martino and Patrick Cooper. “Cut” is the dreamy and soulful debut single featuring Joseph Arthur.
Somewhere in the pre-history of the show, LXD members Katana and Ninjato sacrificed their love, but they are still deeply connected, as shown by their synchronized routines waking up and dancing, feeling each other’s presence even though they are separated. For me, this episode has the strongest partner work seen so far in the series, with fantastic cinematography combining with choreography to brilliantly convey the connection between the former lovers.
As the economy gasps for breath and turns a generation of college graduates into under-employed, over-dependent man-children, there’s nothing more gangster than learning to take care of yourself. In the world of New York rappers Buckwheat Groats (producer/hype-man Lil Dinky, and MC Penis Bailey the Bailey), cooking a simple, nutritious dinner of chicken, rice pilaf, minestrone, and broccoli, with special attention paid to hygiene (“if you think it’s undercooked, you’re wildin’ fella / Buckwheat Groats don’t get down with no salmonella”) and economy (“shove the rest up in some Tupperware ‘cause I’m a frugal motherfucker”), is as much a display of urban machismo as wealth and gun murder, and accordingly, it “keeps the chicas going loca.”
If you haven’t grasped it by now, comedy is this duo’s game. But make no mistake: the spare, spacey beats, courtesy of Lil Dinky and Fatty Eisenhower, are a spot-on throwback to the Oakland flatlands of the ‘90s, where the laid-back electro of Luniz’s “I Got 5 on It” prevailed over the meatier, bouncier G-funk coming out of LA and New York. Also, Penis Bailey the Bailey has a hell of a flow, and is savvy enough to know that his (very funny) lyrics could only work when delivered with a straight face. Their next single? They’re keeping mum about it, but rumor has it’s about hitting on teenagers at the shopping mall. I’m betting there’ll be a lot of jokes about Urban Outfitters and MySpace. So basically, Ninjasonik, but with laughs, instead of hollow hipster signifiers.
It’s okay. You can admit that you never thought Vanilla Ice would ever hold any kind of influence over any developments in any area of the music industry. You’d be in good company. Unfortunately, you’d also be wrong.
Here’s Vanilla Ice with the Teenage Mutant Ninja Turtles back in 1991:
Now, here’s Vanilla Ice in 1998:
And below are the Teenage Mutant Ninja Turtles in 2007. Just please, if you’re anywhere in public, turn off the volume on this clip, as Raphael’s signature sarcasm seems to have matured into some righteous, profane anger over the years:
Would Master Splinter advise some kind of supergroup tour?
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