Latest Blog Posts

by William Carl Ferleman

3 Sep 2010

I attended a Gin Blossoms show in Kansas City last week. I couldn’t help from thinking about this: How could one name a band Gin Blossoms when only some original members remain part of it? How does one properly define a band or group nowadays? When a critical member (de)parts, does the show still go on? Are simply hits and name recognition enough, not to mention the explicit, blatant bamboozlement of a likely uninformed public? 

Troubled songwriter and guitarist Doug Hopkins unfortunately killed himself in 1993, after the band terminated him; he wrote the band’s major Billboard hits “Hey Jealousy” and “Found Out About You”. Watching singer Robin Wilson sing these songs and cheerfully work the audience, tambourine and all, was a bit unsettling to me; same goes for Hopkins’ “replacement” on guitar, Scott Johnson. But the band does have a new album due later this month.

Here is video from a show in Boston.

by Jennifer Cooke

3 Sep 2010

Julius C is a band, not a guy. Just when you thought unsigned rock acts only played for beer money, studio time or gas for their vans, these four curly-haired hipsters come along and show us they care about more than beard-grooming and ironic T-shirts. September 1 kicked off a 30-shows-in-30-days jaunt all around New York City to benefit Powerhouse, a program for homeless pregnant and parenting teen moms. And when you throw in a video featuring dancing gorillas and a catchy-as-hell power pop tune called “Don’t Want Anybody”, you might even forget that these guys are rocking out for a good cause.

by Jane Jansen Seymour

3 Sep 2010

For the past five years I have created playlists for myself and shared them this friend who suggested I start my blog—NewMusicMatters and now I’m also writing for PopMatters. In this era of pick and choose selections off MySpace, iTunes and such, it’s almost odd that the concept of a playlist has even survived. But there really is something about a self-contained listening session. It’s always good to start off strong with a “don’t you love how music can move you” song, maybe even enough to get up and boogie. From there I like to meander along different moods until some kind of reflective closure wraps up the playlist.

Wasn’t sure whether to call this next group late summer or early fall 2010. I know it’s not technically autumn, but the acorns are dropping and the sun isn’t shining as strong as it was a few weeks ago. It’s all about sharing the love of new music with each selection, plus of course the craft of compilation which is always fun.

by Matt Mazur

2 Sep 2010

Should have won... the dopplegangers of Ingmar Bergman's masterwork Persona.

Oscar’s Nominees
Anouk Aimée ... A Man and a Woman
Ida Kaminska ... The Shop on Main Street
Lynn Redgrave - Georgy Girl
Vanessa Redgrave - Morgan!
Elizabeth Taylor - Who’s Afraid of Virginia Woolf?

Mazur’s Nominees:

Bibi Andersson & Liv Ullmann ... Persona

by Joseph Fisher

2 Sep 2010

Apparently, it is the week for beer-music hybrid posts here on PopMatters. After pondering the accuracy of styling a beer after hardcore’s teetotaling tendencies, I will now link you to NPR’s discussion of Dogfish Head’s newest (limited) craft brew: Bitches Brew, a beer released to celebrate the 40th anniversary of the Miles Davis record of the same name. Regrettably, I have not yet had the opportunity to sample Bitches Brew, but if it is anything like the record, it definitely will be one to savor.

What other beer-music pairings can we develop here? And no, PBR and [x] record doesn’t count as a response.

//Mixed media

Marina and the Diamonds Wrap Up U.S. Tour at Terminal 5 (Photos)

// Notes from the Road

"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.

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