Elvis Aaron Presley died on August 16, 1977. Millions mourned his passing. Millions still miss him. In 1987, Mojo Nixon and Skid Roper put out a song to help everyone remember that Elvis is everywhere. Watching the music video is a good way to mark this 33rd anniversary of the passing of the King. After all, “we are all moving in perfect peace and harmony towards Elvisness.”
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The Walkmen are releasing their latest album, Lisbon, 14 September via Fat Possum Records. Last night they stopped by Jimmy Fallon’s show to preview a tune off the new record.
The fourth video released from Tegan and Sara’s 2009 album, Sainthood, “Northshore” offers up a punk-influenced track that’s fun, catchy, and energetic with a video to match.
Simian Mobile Disco
Releasing: 12 October
The UK’s Simian Mobile Disco has a new remix CD headed your way this October and they’ve just made a track available for free download, “Nerve Salad”. This is the first release in a planned series of discs celebrating the FIXED parties in New York City.
01 Brain Machine: “Eternal Night”
02 Etienne Jaumet: “For Falling Asleep”
03 Jurek Przezdziecki: “Qwerty Poema”
04 Conrad Schnitzler: “Ballet Statique”
05 André Walter: “Malphas”
06 Bam Bam: “Where’s Your Child?”
07 DJ Hell: “U Can Dance (SMD Mix)”
08 Paul Woolford: “False Prophet”
09 Philip Sherburne: “Salt and Vinegar”
10 Clement Meyer: “Midnight Madness”
11 Simian Mobile Disco: “Nerve Salad”
12 Pantha Du Prince: “Behind the Stars”
13 Hot Chip: “One Life Stand (Carl Craig Mix)”
14 Chateau Flight: “Baroque”
15 SND: “05:36:58”
16 Delia Derbyshire: “Dreams”
Barreled forth on the backs of de Sade, Courbet, Bataille, and others, New French Extremity is a transgressive movement within all of the French arts but bloomed perhaps most colorfully by this century’s newest fork of body-horror films: It’s a not revival and for the most part, even if you’re not interested in seeing Willem Dafoe and Charlotte Gainsbourg having their genitals mutilated [See 2009’s Antichrist], it’s horrible fun.
For more, check out Trouble Every Day (2001); Haute Tension (2003); and Frontière(s) (2007);.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article