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by Cynthia Fuchs

8 Nov 2011


“When I think about myself, I say, ‘But I didn’t want to the son of a master.’ That’s the high Tibetan Buddhist Master, Chögyal Namkhai Norbu, and his son is Yeshi Silvano Namkhai, born and raised in Italy by his father and Catholic mother. “As long as I remember,” Yeshi says in My Reincarnation, “my father was always traveling to teach Dzogchen.” Resisting the expectations that come along with being recognized at birth as the reincarnation of a famous spiritual master, Yeshi spends years finding other outlets for his energies, with Jennifer Fox’s camera in tow for nearly 20 years. Yeshi seems open about his doubts: “A person who doesn’t want to be what he is. And he ought to be something that he doesn’t like to be. Obviously for my father, I’m not a mistake. Because for him it’s right, for me it’s wrong.” His questions multiply as he grows older, marries and has his own children, and finds a “stable” career with IBM. Perhaps unsurprisingly, has job has him on the road frequently, and as he drives, he talks to the camera: “I live in a very common Italian way,” he says, “I’m happy to be a normal, common father.”

And yet he’s also restless. As Norbu’s fame expands, the film shows him with students in search of peace and wisdom: he offers cryptic comfort: “It’s how Buddha said,” he tells a young man in tears over his HIV positive status. “Everything is unreal, like a big dream. That is something real.” But as you come to understand Yeshi’s frustrations with his absent, much-adored dad, the film also suggests he’s leaning away from his secular life, thinking more about his father’s legacy. With sections divided by underwater scenes, making visible Yeshi’s own wondering at how his hesitation is turning into something like certainty. If the film can’t show his changing feelings, or even his decision to perform such changes, it can suggest how he fears and how he takes risks, even how he comes to appreciate the paradoxes of time, how his past can become his future, his memories his visions. And in these suggestions, the film might emulate Yeshi’s own process.

by PopMatters Staff

8 Nov 2011


Italy’s Late Guest at the Party have been around since 2002 developing their blend of Britpop-esque rave beats. In 2007, they attracted the attention of the BBC’s Steve Lamacq who played their tune “We Were Young” on Radio BBC One and praised their demo as one of the year’s best. Fast forward to 2009 and their debut “Come Back Bobby Peru” got buzz notice again from the BBC. Now the group has descended on New York to record their follow-up album with Chuck Brody (Peter Bjorn and John, Shy Child, Bear Hands, Ra Ra Riot, Wu Tang Clan). The first single, “You Make Me Nervous”, dropped in August and today we have the pleasure of presenting the video for their latest single “Electric Bongos”, which all about striving and facing obstacles along the path to achievement. Vocalist Davide Diglio says, “this kind of struggle is somehow ironic, I guess, so we tried to transpose this kind of cruel irony in the video, exaggerating it. There we got grotesque invisible forces stopping the characters from killing each other and the result is a hilarious film noir.”

by Cynthia Fuchs

8 Nov 2011


“It’s difficult to describe to someone who doesn’t live here,” says Birmingham, Alabama radio host Paul Finebaum. “It’s really the Israelis and the Palestinians living together in one place, day in and day out, two sides that have a long history of hate.” Really. Martin Khodabakhshian’s Roll Tide/War Eagle means to describe just a little of that history, the long conflict between the University of Alabama’s Crimson Tide and the Auburn Tigers. Premiering on ESPN 8 November, the film features interviews with players and coaches and a few fans, all picking sides. The rivalry, says former Auburn coach Pat Dye, goes back to Alabama’s identity as an “industrial state, with coal mines and steel mills and all blue-collar people and great families, but I think they lived a little bit of a depressed life.” This might have led to an investment in football, a way to define sides, to feel superior to someone.

Former Alabama coach Bill Curry recalls that a lawyer once laid out the rivalry’s origins as based in the South’s image problems: “The Civil War and Reconstruction has emasculated the dignity of the Southern male,” he was told. “And then we move on into the 20th century and you’ve got the Depression and the image of the Southern farmer and poor people and the uneducated and the poverty. And then you got the Civil Rights movement with the dogs and the hoses, and now we’re all focused on Birmingham and Selma and once again, the culture takes a hit.” Poor Alabama, victimized by bad PR. How better to fight back than by investing in opposing teams located just 125 miles apart?

by Sachyn Mital

8 Nov 2011


Contest is now closed! Please be sure to check pick up Wish You Were Here on compact disc or vinyl!

Today marks the day that EMI releases the expanded editions of Pink Floyd’s Wish You Were Here and the best-of compilation A Foot in the Door (following the earlier deluxe release of Dark Side of the Moon. To celebrate, PopMatters would like to give you a taste of the Immersion box set via a teaser video as well as a chance to win your own copy of the remasterd Wish You Were Here. But first we’d like to share some details on these expansive new releases.

From the press release:
Wish You Were Here Immersion 5-disc edition, includes previously unreleased material from the band’s 1974 Wembley dates, including a 20-minute live rendition of “Shine On You Crazy Diamond” and “Raving And Drooling” and “You’ve Got To Be Crazy,” two tracks that didn’t make it onto the original album and which were subsequently reworked to become “Sheep” and “Dogs” on the “Animals” album. ‘Immersion’ comes with an exclusive photo book edited by longtime Floyd photographer Jill Furmanovsky and a 36 page booklet designed by Storm Thorgerson. A must have for all Pink Floyd fans, the collection also includes the forgotten and unique recording of “Wish You Were Here,” featuring the legendary jazz violinist Stéphane Grappelli. You can immerse yourself in the Wish You Were Here Immersion Box Set via Amazon.

by Crispin Kott

8 Nov 2011


For a band who helped build their reputation on music video, it’s been a long time since Duran Duran made a promotional film worthy of their classic clips from the ‘80s, which repeatedly cast the band as a hedonistic, futuristic, slightly effeminate gang of pirates.

Some of those videos - “Girls on Film,” “Rio” and “The Chauffeur” among them - turn up in a jarring montage midway through “Girl Panic!”, the new Duran Duran film directed by Jonas Åkerlund. I say film, because it’s nearly 10 minutes long, though it could also just as easily be called an infomercial. More on that in a minute.

There is a plot, a sort of loose one which is ultimately meant to tug at memories of an era when the guys in Duran Duran were young and pretty and supermodels like Naomi Campbell, Cindy Crawford, Eva Herzigova, Helena Christensen and Yasmin Le Bon were even younger and prettier. Those models appear in “Girl Panic!” and to the surprise of almost no one, they still look incredible. In fact, the only shock of all is that being married to swarthy Duran Duran frontman Simon Le Bon for a few decades has only served to make Yasmin Le Bon get even better as the years pass. Surely Oscar Wilde would have had an explanation for that.

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