Though I do cringe at paying extra, I admit that I’ll go to the occasional 3-D movie in theaters, just to see how different the experience is. What I didn’t realize until very recently, was that I could get a similar experience for free, just by standing on the sidewalk at the right time and place.
In the ever-evolving world of advertising, there is a trend rising in, quite literally, every direction: 3-D Mapping Projection. This technology, which is certainly too complex for me to understand, much less explain, is simplified by Wikipedia as “any method of mapping three-dimensional points to a two-dimensional plane”.
“What was it like coming back to America after fighting in Vietnam?” asks an off-screen narrator. A 22-year-old black man nods and begins to talk, his weary expression suggesting this is a question he’s prepared to answer, but one he dreads. “It’s almost the same as when I left, ” he begins. “I say this because when a man goes to fight for his country and then comes back over here and almost have to fight for his life in certain parts of the country, get ridiculed and discriminated, you know, and be less than a man. I don’t think it’s right, you know.” It’s 1967.
This early scene sets the stage for Göran Olsson’s terrific documentary, Black Power Mixtape 1967-195, which premieres on Independent Lens on 9 February. Specfically, it lays out the film’s premise, that the Black Power Movement, building and then suppressed from 1967 to 1975, emerged out of needs to resist injury and endure trauma, and also, to make visible what was going on in America, what remained unknown to people who didn’t have to know. The film features interviews with civil rights figures like SNCC’s Stokely Carmichael and Angela Davis, as well as today’s activists (Talib Kweli, ?uestlove), tracing how the Panthers resisted oppression (see especially, the FBI’s COINTELPRO) and also built a lasting sense community. Looking back, it looks forward, observing from the outside (the Swedish reporters’ footage that makes up the bulk of the film), it reveals what goes on inside.
Joachim Dyrdahl, known in the music scene as successful producer and DJ “diskJokke”, has debuted the latest video for his new single “Now Dance”. Initially reaching fame for his imaginative remixes of songs by the likes of David Lynch, Lindstrøm, Foals and Bloc Party, the Oslo-based artist is now coming into his own, creating original, funky sound mixes based in electronica and infused with hints of house, disco and pop.
Below is the most recent video, designed to accompany “Now Dance”, a single that has also been reworked by UK artist Bright Light Bright Light. The song is one of many singles featured in the limited edition 7” series, produced by Oslo-based label Splendour, a brand that has collaborated recently with high profile artists such as His Highness and Shimmering Stars.
Released on vinyl in early 2012 as the b-side to a DJ Hidden/Broken Note collaboration, “Obey” sees Ad Noiseam producers Niveau Zero and Balkansky come together for one brief, dirty moment. While the North American mainstream struggles with the cycle of dubstep hype and backlash, this track falls not into its spiral. Rather, “Obey” huffs and puffs and blows down the house with its uncompromising bass and meticulous production. This is not your basic club single. It doesn’t ask you to like it. It commands you to obey, and can smell your fear.
The votes are in! The list of nominees for the 84th annual Academy Awards was announced on January 24th by the lovely Jennifer Lawrence. While most of the contenders were predictable, given their recent nominations for Golden Globe or SAG awards, going into the process the one wild card in the bunch was this summer’s female-driven blockbuster comedy Bridesmaids. Though the Academy has not favored comedies in the past, there was speculation that the film might drum up enough enthusiasm to garner a Best Picture recognition. But alas, while this was not to be, the movie’s breakout star Melissa McCarthy did receive a supporting actress nod for her hilarious portrayal of Megan, the bride’s soon-to-be sister in law with a personality ten cruise ships bigger than her five-foot-two stance.
McCarthy has had quite the banner year-from gaining fan recognition for her role in Bridesmaids to winning an Emmy for her portrayal of Mike and Molly star Molly Flynn, to having Ricky Gervais single her out at the Golden Globes. Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee’s career in the entertainment industry: