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by PopMatters Staff

8 Apr 2011


The Antlers’ new album Burst Apart is one of the most eagerly anticipated May releases and the band helped build the early buzz by playing the record in its entirety at NPR’s SXSW party this March. You can catch that performance online and/or head out to one of Antler’s upcoming gigs (listed below).

This week, the Antlers’ premiered a new song, “Parantheses”, from the album. You can stream this at the group’s site.

The Antlers - Parentheses by Frenchkiss

by PopMatters Staff

8 Apr 2011


This week Gang Gang Dance released the second free MP3, “MindKilla” from their upcoming album Eye Contact, which is slated for release May 9th in the UK and May 10th in the US. Also, in a busy week for the band, they have unleashed the new video for “MindKilla” directed by Shoji Goto. Check out upcoming tour dates and the video after the jump.

by PopMatters Staff

8 Apr 2011


British producers Eclectic Method have been pushing the boundaries of music and video during a long career in which they’ve worked with music from diverse artists like U2, Phish, Fatboy Slim and now Chuck D. Ian Edgar, Jonny Wilson and Geoff Gamlen aren’t your average DJs or producers, as they think as much visually as aurally, and blend both into their audio-visual mixes. After their recent SXSW appearances, Eclectic Method took the stage of the Jimmy Fallon show with Copyright Criminals (video below). Their latest work is “Outta Sight”, a collaboration with hip-hop legend Chuck D that includes some self-referentiality to the artistic method in lines like “it’s not audio-visual, we living in the visual-audio age”, suggesting that imagery is now the most potent cultural form. Kotchy’s remix of the tune gives the song more of an electro edge. Contrast that with the more spare and direct original in the video below.

by William Carl Ferleman

7 Apr 2011


Julie Taymor’s experimental film adaptation of Shakespeare’s The Tempest was quite unfortunate and problematic. Helen Mirren as the female Prospera (not the male Prospero, as in the original play) was brilliant but too underused. The comic bits, which could have been well-performed, basically ruined the film.  But “Prospera’s Coda”, a song that immediately followed the film, was most touching, dark, and brooding. Shakespeare wrote the lyrics, and Beth Gibbons of Portishead fame took over on vocals. Beth Gibbons did an excellent job at illustrating loss, despair, and, finally, retirement, via her singing.

by Dylan Nelson

7 Apr 2011


Chris Tarry is internationally recognized for his bass playing and composing, but as his new release, Rest of the Story, proves, he’s an author, too. Tarry has been publishing fiction in Canadian and American literary journals. His smartly titled new CD for Nineteen-Eight Records is a piece of hybrid art that includes 100 pages of his writing. Described on the website as a product “that speaks to a time when album design still mattered”, Rest of the Story is an exercise in the art of the CD from one of jazz’s top band leaders.

//Mixed media
//Blogs

Indie Horror Month 2016: Diving into 'Reveal the Deep'

// Moving Pixels

"In Reveal the Deep, the light only makes you more aware of the darkness

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