It’s always cool to poke fun at the government, especially at their most frivolous. Pirate Radio, directed by Richard Curtis, follows the antics of eight DJs who daringly continued to play rock records in the middle of the North Atlantic, despite the angry protestations of British officials. The rock ‘n’ roll dissenters include Academy Award winner Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, and many others. Pirate Radio, which came out in the U.K. back in April as The Boat That Rocked, opens in the U.S. on November 13th in select theaters.
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The legacy of iconic pilot Amelia Earhart still sparks curiosity today. Amelia Earhart is now the subject of a new biopic simply entitled, Amelia, starring Hilary Swank, Richard Gere, and Ewan McGregor. Under Mira Nair’s direction, the film traces Earhart’s (Hilary Swank) aviation milestones, all within the undercurrent of her burgeoning intimate affair with George P. Putnam (Richard Gere), a well-established publisher. Like all procedurals, the movie acts not only as emotive siphon but also history lesson. Filled with crisp tableaux and acting powerhouses, Amelia opens October 23rd in limited release.
Dashboard Confessional are giving fans the opportunity to get the best of both worlds: electric and acoustic. The band’s newest production, Alter the Ending, will be released on November 10th accompanied by a bonus disc featuring acoustic versions of the album’s twelve tracks. So whether you’re in the mood to jam out or chill out, this new album can suit either temperament.
To get a taste, check out this stream of “Belle of the Boulevard”.
Norway’s pop sensation Ida Maria teams with the godfather of punk Iggy Pop in this video for “Oh My God”. That song title perfectly reflects how she probably felt after waking up and discovering she was on a Perez Hilton “curated” tour. Luckily, those days are over.
With every brushstroke, Rembrandt often painted an Amsterdam filled with social malaise fueled by wealth mongering at the height of the Dutch Golden Age. Documentarian Peter Greenaway scrutinizes Rembrandt’s famous genre piece, Nightwatch, as a means of forensic investigation into the country’s criminal underbelly. The movie speaks to art’s relevance as civilized society’s premier tool of education, communication, and preservation. If you can get over the visual echoes of PBS, then Rembrandt’s J’accuse is something definitely worth seeing. Rembrandt’s J’accuse opens Friday, October 21st in select theaters.
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