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by Eric Allen Been

16 Feb 2011

Two decades ago, dance music visionary Carl Craig helped marshal in the second wave of Detroit techno by launching the leftfield-leaning label Planet E. To commemorate the 20th anniversary of the imprint, Craig is set to release on 22 February a Planet E “best of” digital compilation entitled 20 F@#&ING Years - We Ain’t Dead. The 25-track project will include electronic music classics like Moodymann’s “Dem Young Sconies” and Innerzone Orchestra’s “Bug in the Bassbin”, along with next-generation mindbenders like Recloose’s “Can’t Take It [ft. Dwele]” and a previously unreleased remix by Craig of Kenny Larkin’s “You Are”.

And in conjunction with the digital release, Craig will be hosting on his website a competition for fans to vote on tracks that should be pressed onto a limited edition Planet E vinyl box set. 

Finally, starting in March Planet E will also began releasing singles from its back catalogue, which will chosen and remixed by, among others, Ricardo Villalobos, Richie Hawtin, Kevin Saunderson and Mad Mike Banks. First up will be a Luciano remix of Recloose’s “Can’t Take It”.

The tracklisting for the compilation and the dates for Craig’s Planet E tour are listed below.

Scion A/V Presents: Carl Craig Interview from Scion A/V on Vimeo.

Latest tracks by carlcraignet

by William Carl Ferleman

15 Feb 2011

Forget about the cheery presence of Bananarama’s “Cruel Summer” in The Karate Kid. Is not this a goth song incognito? There is undoubtedly a distinct sense of isolation, alienation and melancholy in it, and the lyrics betray as much. But it’s mainly viewed as a happy, perfunctory, feel-good summertime song. For instance, one is easily tempted to hear “cool” instead of “cruel” in the song’s refrain. This track is begging for a certain band—Marilyn Manson—to cover it.  After all, Manson’s most peculiar cover of the Eurythmics’ “Sweet Dreams (Are Made of This)” essentially put Manson on the radar.  Marilyn Manson has previously covered Soft Cell’s “Tainted Love” and, of course, Depeche Mode’s “Personal Jesus” with considerable success. Why not cover another esteemed 1980s song?

by Eric Allen Been

14 Feb 2011

Happy Valentine’s Day, Radiohead fans! Earlier today, the band made the surprise announcement that they’ll be releasing their eighth studio album, The King of Limbs, and it will be available as a digital download on Saturday, Feb. 19. Yes, that’s in five days!

But unlike the band’s last album, 2007’s In Rainbows, the digital release of King of Limbs will have a set price. An MP3 version of the album will cost $9 and a CD-quality WAV version will go for $14.

Radiohead also plans to offer up this spring a so-called “newspaper album” edition of The Kings of Limbs, which will consist of two 10-inch vinyl LPs and a CD, along with “many large sheets of artwork, 625 tiny pieces of artwork and a full-color piece of oxo-degradable plastic to hold it all together”. This deluxe edition of the release will cost either $48 (which will also include the MP3 digital files) or $53 (for the WAV files), and will ship on May 9.

According to Greg Kot of the Chicago Tribune, “standard CD and vinyl versions of the album will be made available March 28 in retail outlets through a partnership with XL Recordings.”

Head over to to preorder the album.


by Corey Beasley

14 Feb 2011

Arcade Fire may be the first indie act to win a Grammy for Album of the Year, but they may have company next year: titans of this new millennium (and fellow indie act since the self-release of 2007’s In Rainbows) Radiohead gave the world a Valentine’s Day surprise this morning. The UK group announced the release of their eighth studio album, The King of Limbs, set to drop digitally this Saturday and in physical form May 9th.

Thom Yorke and co. are calling The King of Limbs the world’s first “newspaper album”, which apparently has something to do with the amazing packaging that buyers of the physical release will find. The band’s website says the record will include:

  • Two clear 10” vinyl records in a purpose-built record sleeve.
  • A compact disc.
  • Many large sheets of artwork, 625 tiny pieces of artwork and a full-colour piece of oxo-degradeable plastic to hold it all together.
  • The Newspaper Album comes with a digital download that is compatible with all good digital media players.
  • One lucky owner of the digital version of The King of Limbs, purchased from this website, will receive a signed two-track 12” vinyl.

The King of Limbs as available for digital and physical pre-order now. Get in line to buy here.

by Jessy Krupa

14 Feb 2011

CBS devoted three and a half hours to the Grammys, not counting the many commercial breaks. (In all fairness, most of the ads featured musicians or were from Target’s backstage at an award show-themed campaign.) However, only ten awards were presented on air in order to make room for more performances and meaningless celebrity presenters. 

The Big Winners:

Best Pop Performance By a Duo Or Group: Train “Hey Soul Sister”
Best Female Country Vocal: Miranda Lambert “The House That Built Me”
Rock Album: Muse The Resistance
Best Pop Vocal Album: Lady Gaga The Fame Monster
Best Country Album: Lady Antebellum Need You Now
Song of the Year: Lady Antebellum “Need You Now”
Best New Artist: Esperanza Spaulding
Best Rap Album: Eminem Recovery
Record of the Year: Lady Antebellum “Need You Now”
Album of the Year: Arcade Fire The Suburbs
Lifetime Achievement Honorees: Dolly Parton, Julie Andrews, Roy Haynes, Juilliard String Quartet, the Kingston Trio, Ramones, and George Beverly Shea

The Big Winners That Weren’t Shown on TV:

Best Alternative Music Album: The Black Keys Brothers
Best Dance Recording: Rihanna “Only Girl (In the World)”
Best Solo Rock Vocal Performance: Paul McCartney “Helter Skelter (Live)”
Best Country Song: Lady Antebellum “Need You Now”
Best Contemporary R&B Album: Usher Raymond Vs. Raymond
Best Female Pop Vocal: Lady Gaga “Bad Romance”
Best Male Pop Vocal: Bruno Mars “Just the Way You Are”

The Best Performances:

Some of the night’s performances were great and memorable, especially those which paid tribute to other artists.

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