Iron Man 2 doesn’t come out until May 7, but Tony Stark’s alter ego is already showing up in some unexpected places. Some aspiring animator has developed a dead on 3D model of Iron Man, and he’s putting him to good use by injecting some testosterone into more femme-friendly fare. Check out Iron Man (along with his friends, AC/DC) making cameos in Bridgette Jones Diary, Dirty Dancing, and Titanic. The only thing I don’t get is why he didn’t use his missiles in the Bridgette Jones scene. I mean, Rene Zellwegger was right there.
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OK, you already know how much we love Gogol Bordello from Steve Leftridge’s review earlier today. Last night, Eugene Hütz and gang played the Jimmy Fallon show with yet another high-energy (are they ever not this way?) version of “Pala Tute”.
Leftridge described the band better than I’ve ever read: “It’s an eclectic, high-voltage ensemble, but it’s impossible to take your eyes off Ukrainian-born Hütz, the wild, shirtless, mustachioed ball of sweaty charisma who arrived in the US in 1991. Hütz’s strangled voice spits out garbled English as he prowls the stage, assaults his acoustic guitar, leans menacingly over the audience, spins in circles on one foot, and bangs on fire buckets. Violinist Ryabtzev is the Kenickie to Hütz’s Danny Zuko. He’s an elegant mover, all silver beard and jaunty beret and tasteful footwear, and his streaking violin runs provide the rocket fuel in these songs’ arrangements. Fiddler on the Roof? With this band’s mind-bending spectacle, it’s more like Fiddler on the Acid. Indeed, a GB show is part concert, part manic cabaret—a wild blend of Les Miserables, Bad Brains, Stomp!, and the craziest Russian wedding ever.”
The always politically-outspoken M.I.A. has apparently decided to join Copper Cab and South Park by wading into the choppy waters of the “gingers” debate. Her extremely NSFW, nine-minute video for new track “Born Free” is directed by Romain Gavras and follows a group of red-headed folks as they get rounded up and forced to endure some pretty awful things by a gang of black-attired goons.
On April 26, 1980, Los Angeles punk band X released their debut. Named after the city which spawned them, the album was a definitive release which not only put the Los Angeles punk scene on the map, but also inspired countless other young bands to look beyond the standard aggro punk idiom.
Los Angeles was produced by Ray Manzarek, who not only contributed keyboards to some of its songs, but also made sure to throw in a tune by his old band, the Doors (“Soul Kitchen”) for good measure.
John Doe and Exene Cervenka were the acknowledged leaders of the group, writing the album’s eight original numbers and sharing vocal duties, but guitarist Billy Zoom and drummer D.J. Bonebrake were every bit as crucial to the band’s early sound.
If it’s not actually possible to hop into a time machine and relive the thrill of the early Los Angeles punk scene, perhaps this clip of “Los Angeles” from X: The Unheard Music will evoke some of its spirit.
Ethiopian-born and Bay Area-dwelling Meklit Hadero is one of those restless, creative souls that was literally born to be an artist. Easily straddling the musical worlds of African music and California artsy singer-songwriterdom, Hadero has worked for years within the San Francisco arts community. Her record label (Porto Franco Records) describes her perfectly: “If Joni Mitchell were East African and met Nina Simone for tea in San Francisco’s Mission District, she might end up sounding like Meklit Hadero.” Her full-length debut album, On a Day Like This… was released just last week and in this video you can sample the tune “Abbay Mado”, as well as get a glimpse of her creative process through a brief interview segment.
Porto Franco Records is offering up half of On a Day Like This… for free download in exchange for your email address. You can pick up those MP3s via the widget below.