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Tuesday, May 13, 2014
by PopMatters Staff
"Festus, I Am Not Out of My Mind" offers a nice teaser for Half-handed Cloud's latest idiosyncratic pop effort, Flying Scroll Flight Control.

On 10 June, Half-handed Cloud, aka Berkeley-based pop eccentric John Ringhofer, will be releasing its sixth album Flying Scroll Flight Control on Asthmatic Kitty. Premiering here on PopMatters, the compact ditty “Festus, I Am Not Out of My Mind” is a nice teaser of the Sufjan Stevens-aided album, a slice of idiosyncratic pop on which sun-kissed melodies and Ringhofer’s falsetto vocals stand out as much as the quirky instrumentation.


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Tuesday, May 13, 2014
by PopMatters Staff
On "Duality", Rig 1 -- aka Ian McElroy of Desaparecidos -- not only shows off his vocal range, but also his versatile production skills.

Rig 1 is the rap-minded project of Ian McElroy, which might seem incongruous if you know him as the keyboardist of Conor Oberst’s post-hardcore act Desaparecidos. But on “Duality”, which comes from Rig 1’s just released album North of Maple, McElroy not only shows off his vocal range as he runs from metaphysical spoken word-like tones to syncopated rhyming, but also his versatile production skills. The video for “Duality” premieres on PopMatters; North of Maple is out today via Team Love.


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Tuesday, May 13, 2014
by PopMatters Staff
Sad Brad Smith lives up to his name on "On the Beach", but there's just enough melody to sweeten his pensive sound.

With the pensive tone of his acoustic strum and forlorn voice, Sad Brad Smith lives up to the modifier of his name. But there’s just a touch of ringing melody to sweeten his twangy folk sound on his new track, “On the Beach,” which premieres on PopMatters. “On the Beach” appears on Sad Brad Smith’s upcoming album Magic, which comes out 20 May.



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Monday, May 12, 2014
"Secret Preference" is all big boom-clap drums, silky falsetto, and funk bass.

“Everybody’s got a secret preference,” Wet Leather vocalist Matthew Bernstein repeats on the Brooklyn five-piece’s new single. His penchant for the wide open hallmarks of mid-‘80s synth-pop and disco are hardly so well concealed. “Secret Preference” is all big boom-clap drums, silky falsetto, and funk bass—clinically tested summer music, in other words, with a chorus that’s only obvious enough to work. Long live 1985.


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Monday, May 12, 2014
by PopMatters Staff
This is as populist as a rock party gets, and yet despite the common tropes the band visits (and revisits), the emotions still feel specific and dig almost as deep as the hooks do.

Of the Everymen’s 2012 album New Jersey Hardcore, PopMatters Associate Music Editor Matthew Fiander wrote, “This is as populist as a rock party gets, and yet despite the common tropes the band visits (and revisits), the emotions still feel specific and dig almost as deep as the hooks do.” That assessment rings true about the Everymen’s new album Givin’ Up on Free Jazz and then some: Expanding from a core pairing of Mike Venutolo-Mantovani and Catherine Herrick to a full-on nine-piece act, this latest effort runs the gamut of retro-y rock styles, with a good humored camaraderie that they’re enjoying what they do holding it all together.


Venutolo-Mantovani shared some thoughts on the album via email in advance of the release of Givin’ Up on Free Jazz, which premieres on PopMatters. The new album comes out on 20 May, via Ernest Jenning Record Co.


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