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Thursday, Dec 15, 2011

“If you find a way to fix this thing right here, it’ll make you better. It’ll make you better in areas you didn’t think were related to horses.” Buck Brannaman’s students listen carefully when he speaks. They stand alongside their horses, hoping they’ll hear in his instructions a solution, whether their animal is fearful or fierce, stubborn or prickly. But clinics with Buck usually end up teaching them less about their horses than themselves. “A lot of times,” he says, “Rather than helping people with horse problems, I’m helping horses with people problems.” The inspiration for the book The Horse Whisperer and an advisor on Robert Redford’s movie set, Buck reveals he has his own issues—a severely abusive father when he was young and trained up to be a rodeo performer with his brother (who is not interviewed here), as well as a measurable loneliness now on the road, when he leaves his wife and children behind. While his clients (and he) extol his wisdom, Buck is also apt to chastise them for not being self-aware, as he’s been forced to be. When he chastises a woman for her carelessness with her horses, a carelessness that leads to a bad end for one of them, the film makes clear his stakes: he’s finding and saving victims, again and again. In so doing, he saves himself. Shortlisted for the 2012 Best Documentary Academy Award, the movie screens on 19 December as part of Stranger Than Fiction’s Pre-Winter Season Special, followed by a Q&A with director Cindy Meehl.


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Tuesday, Dec 13, 2011

When Bruce Ratner announced the Atlantic Yards development project in Brooklyn in 2003, he brought along noteworthy supporters, from architect Frank Gehry to New Jersey Nets minority owner Jay-Z to Mayor Mike Bloomberg. They all touted the arena as a way to create jobs, to improve the local economy, to bring new life. It hasn’t quite worked out that way, as documented in Battle for Brooklyn.


Troubles began when some residents of “the footprint” resisted being moved. Their resistance led to the corporation bringing in the state government, who cited “eminent domain” as a rubric for claiming the land, that is, the expropriation of private property for the public good. And oh yes, primary “public” beneficiary was to be Forest City Ratner Companies. Local resistance galvanized ROUND EXACTLY THAT APPARENT OVERSIGHT. Screening on 13 December as part of Stranger Than Fiction’s Pre-Winter Season Special—and followed by a Q&A with directors Suki Hawley and Michael Galinsky—the film follows one resident in particular, Daniel Goldstein, a graphic designer who can’t imagine how his life will be changed by his commitment to the project. Goldstein and other residents resent the implication that they matter so little as to be considered “practically from scratch.” To be sure, not all residents feel this way: some believe the promises made by Ratner, Brooklyn Borough president Marty Markowitz, Mayor Bloomberg, and Senator Chuck Schumer, that the development will bring employment opportunities to Brooklyn and improve material and economic conditions going forward. (Senator Schumer’s misspeaking during a press conference may or may not be telling: “Basketball is great, but you know what enervates me about this? 10,000 jobs!”) As the Atlantic Yards project divides the community, it inspires a range of responses, from placards in residential and commercial windows and street protests to local organizing and full-on media campaigns.


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Monday, Dec 5, 2011

“The psychology of Ghanians, when it comes to governance or politics generally, has been influenced by our history,” notes Baffour Agyeman-Duah, an expert on governance.” While the aim is to construct “a stable democratic government, guided by the principles of good governance,” the route has been uneven. As he finishes speaking, scene cuts from his face to a close-up of a butcher at work: whomp goes his cleaver, splitting red meat. It’s a striking early image in Jarreth and Kenneth Merz’s An African Election, suggesting the high stakes during Ghana’s 2008 presidential elections. Currently at the Quad Cinema, the documentary considers that election (when Nana Akufo-Addo of the ruling New Patriotic Party ran against John Atta Mills of the National Democratic Congress), history (the legacy of colonial rule, the decades of increasing corruption), and also points toward a kind of future, that is, the ways that elections have become—more and more, there and elsewhere (say, the US), contests over who can be loudest or least honest while appealing to broad bases. A smart, lively film—beautifully enhanced by a terrific percussive soundtrack—An African Election reveals how entrenched layers of trouble remain, despite and because of the cheering throngs, the advances in media technologies, the hopes for change. As journalist Kwesi Pratt puts it, “None of the parties is offering a paradigm shift. All of the parties will be doing the same thing, but some promise to do it better than the others.” How familiar does that sound? 



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Monday, Dec 5, 2011

“For most children,” begins Strangers No More, “going to school is as simple as going around the block.” But for the students in the Bialik-Rogozin School in Tel Aviv, the journey has been long and continues to be difficult. Karen Goodman and Kirk Simon’s documentary, winner of last year’s Academy Award for Best Documentary Short, premieres 5 December on HBO, tracks the experiences of several students, as examples of the many (from 48 countries) who have survived loss and trauma. Many are orphans, others have parents who are refugees, all are doing their best to remember their pasts and also to move on. According to principal Karen Tal, means to “open our arms to every student. Almost every student is running away from something.” Their relatives have been running too: Johannes’ father, from Sudan, confesses that his son was never able to go to school before; the boy’s new teacher observes, “You see the eyes of the father, you see that he is really tired from running from one place to another.”


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Monday, Nov 21, 2011
In these two exclusive video interviews, master chef Bobby Flay cooks up some excitement with PopMatters, submitting to a Turkey Day "lightning round", preparing theoretical Entourage dishes, and having detectives search for a "missing ingredient" ...

Bobby Flay’s name has become synonymous with great food, and that’s not just because of his numerous signature dishes.  Through his Food Network TV shows, his books, and his various media appearances, he’s shown an out-and-out love for good food, and with Thanksgiving just around the corner, he’s ready to share some secrets with us.  In the midst of promoting the turkey-prep database known as Hellman’s Turkey Challenge, Flay got in front of the camera to talk to PopMatters about preparing theoretical Entourage dishes, and having detectives search for a “missing ingredient”, and then submitting to interviewer Jesse Fox’s “lightning round” of turkey prep questions ...


 



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