Latest Blog Posts

by PopMatters Staff

5 May 2014


Collin Herring is often labeled alt-country and there is some truth to that, but there’s just as much as much indie rock in his sound. Some Knives bristles with energy and rousing melodies that will please fans of indie and Americana equally, as the album touches on influences from Son Volt and Whiskeytown alongside Neil Young, R.E.M. and even Nirvana.

Herring tells PopMatters all about the album’s recording process…

by PopMatters Staff

2 May 2014


Take a jazzy vibe and marry it to electronic beats and some Latin funk, horns and all, and you start to approximate Cilantro Boombox‘s sound. The group was originally founded by bassist/DJ/producer Félix Pacheco and saxophonist/flutist Joe Woullard as they collaborated in a session and then stuck together and eventually added six new members. Cilantro Boombox’s 2012 debut is available below via Spotify, but today we bring you the premiere of the B-side, “Lluvia”, of their new single “Fears Away”.

by PopMatters Staff

1 May 2014


That catchy tune is “Under the Same Sky”, which the Dollyrots’ Kelly Ogden says “is a love song. Both the bunny-on-bunny type and as a dedication to the new man in my life… our baby River. It features his first recorded performance, a sample of his heartbeat through a fetal monitor opening the track.” If it’s about a brand-spankin’ new family member, then you know the song has real passion.

“Under the Same Sky” appears on the band’s February release, Barefoot and Pregnant, which our own Matt Casarino called deeply hooky, melodic, wacky and at least as delightfully bratty as 2007’s Because I’m Awesome.

by PopMatters Staff

1 May 2014


The Hudson Branch tells PopMatters that “Kina Ze Swah is the idea that you can build something from nothing. It’s something we’re trying to figuring out. It’s an ongoing conundrum that we think we solve and then forget how we arrived at the answer.” Four suburban siblings—Cobey and Corey Bienert and Matthew and Jacob Boll—are the Hudson Branch and their long familial history gives them an edge as musicians, as they’ve had a very long time to work on their sound. Folk pop, ‘60s pop, ‘80s electronic pop and ‘90s indie are all equal parts of the band’s sound.

by Sarah Zupko

30 Apr 2014


Carsie Blanton‘s sexy, enigmatic vocals are ideally suited to the American popular songbook, a.k.a. pop music written for adults in the age before youth so thoroughly dominated popular culture. She treats each note like another flirtatious look towards the object of her affection as the lazy notes flutter down gently and easy. Like Frank Sinatra, Ella Fitzgerald and Fred Astaire, she pays careful attention to the dramatic phrasing of each word. Impressive and leaves the listener wanting for much more.

//Mixed media
//Blogs

Hozier + Death Cab for Cutie + Rock Radio 104.5's Birthday Show (Photo Gallery)

// Notes from the Road

"Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

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