“That was our objective, there was no other.” Bernardo and Lautaro Arratia are chopping trees, in the Patagonia region of Chile. This is what they want to do, they demonstrate with their focused labor, what their father did, what they’ve grown up doing. Now, however, they’re looking at the end of the future they never doubted, as corporate forces descend on the region with plans to build five hydroelectric dams, two on the Baker River and three on the Pascua River.
These plans look awfully grim in Brian Lilla’s Patagonia Rising, currently screening at New York’s Cinema Village. While the dams provide electricity, they do so in a way that Stephen Hall sees as old-fashioned (other forms of renewable energy are more efficient and forward-looking) and they exact particular costs. Mitzi Urubia, coordinator for the campaign, Patagonia Without Dams, points out that the question of who has possession of the water—Chile or Argentina—is not entirely clear. Moreover, according to Patrick McCully, executive director of International Rivers, the companies in charge are less than truthful about the deleterious effects of large dams, which have been demonstrated by previous large dams, more than 40,000 worldwide: they displace populations (between 40 and 80 million people, mostly in India and China thus far), cause flooding and contaminated waters, wreak havoc with fishing and other livelihoods, spread diseases.