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by Cynthia Fuchs

14 Dec 2011


“In 1997, I was fixing a plate of food in the kitchen,” says Master Sgt. Jerry Ensminger, “Getting ready for the evening news.” What he heard on the TV changed everything: a scientific report linked birth defects and childhood cancers to water contamination at Camp Lejeune, where he and his family had lived. “I dropped my plate, right there. I mean, it was like God was saying to me, ‘Here is a glimmer of hope, that you will find your answer.’” Ensminger’s question concerned the death of his nine-year-old daughter, Janey, some 14 years earlier. She’d had leukemia, and throughout her illness and after her passing, he wondered why. For the rest of Tony Hardmon and Rachel Libert’s Semper Fi: Always Faithful, Ensminger pursues answers, joining with two other victims. Their efforts are made more difficult by military and government efforts to deny responsibility. Screening on 14 December as part of Stranger Than Fiction’s Pre-Winter Season Special series, the documentary follows their alternately frustrating and heartening journey and also advocates for their cause. Given the passion that Ensminger and others bring to the story, Semper Fi mostly needs to observe, though occasional images or empty swings in a back yard or Jerry traipsing through the woods with his hunting rifle (“I come up here to get away from the daily stress”) help to underline its poignancy and also, their perseverance.

See PopMattersreview.

by Cynthia Fuchs

13 Dec 2011


When Bruce Ratner announced the Atlantic Yards development project in Brooklyn in 2003, he brought along noteworthy supporters, from architect Frank Gehry to New Jersey Nets minority owner Jay-Z to Mayor Mike Bloomberg. They all touted the arena as a way to create jobs, to improve the local economy, to bring new life. It hasn’t quite worked out that way, as documented in Battle for Brooklyn.

Troubles began when some residents of “the footprint” resisted being moved. Their resistance led to the corporation bringing in the state government, who cited “eminent domain” as a rubric for claiming the land, that is, the expropriation of private property for the public good. And oh yes, primary “public” beneficiary was to be Forest City Ratner Companies. Local resistance galvanized ROUND EXACTLY THAT APPARENT OVERSIGHT. Screening on 13 December as part of Stranger Than Fiction’s Pre-Winter Season Special—and followed by a Q&A with directors Suki Hawley and Michael Galinsky—the film follows one resident in particular, Daniel Goldstein, a graphic designer who can’t imagine how his life will be changed by his commitment to the project. Goldstein and other residents resent the implication that they matter so little as to be considered “practically from scratch.” To be sure, not all residents feel this way: some believe the promises made by Ratner, Brooklyn Borough president Marty Markowitz, Mayor Bloomberg, and Senator Chuck Schumer, that the development will bring employment opportunities to Brooklyn and improve material and economic conditions going forward. (Senator Schumer’s misspeaking during a press conference may or may not be telling: “Basketball is great, but you know what enervates me about this? 10,000 jobs!”) As the Atlantic Yards project divides the community, it inspires a range of responses, from placards in residential and commercial windows and street protests to local organizing and full-on media campaigns.

See PopMattersreview.

by Cynthia Fuchs

12 Dec 2011


Breathing. When you watch bodies in Wim Wenders’ Pina, you hear and see them breathing. In a movie about dancers—about the work of dancers, their efforts to tell stories, to move audiences—this is no small thing. And in this, the 3D imaging is actually more helpful than distracting: it focuses your attention on what the dancers’ bodies do, in space, in relation to one another and in relation to the costumes and props they use, which range from chairs and tables (in Café Müller) to dirt (Rite of Spring) to water (Vollmund). And in this, the film is a revelation.

by Jessy Krupa

7 Dec 2011


Last week, the National Academy of Recording Arts and Sciences announced the nominees for the upcoming 2012 Grammy Awards on both a lavish concert special (that was slightly better than last year’s event) and their official website. Many of this year’s nominees are new artists, and some of the categories have been changed, but one thing hasn’t changed: people are already making predictions. Here’s a look at some early guesses on who will win in the biggest categories on February 12th, 2012.

by Cynthia Fuchs

5 Dec 2011


“The psychology of Ghanians, when it comes to governance or politics generally, has been influenced by our history,” notes Baffour Agyeman-Duah, an expert on governance.” While the aim is to construct “a stable democratic government, guided by the principles of good governance,” the route has been uneven. As he finishes speaking, scene cuts from his face to a close-up of a butcher at work: whomp goes his cleaver, splitting red meat. It’s a striking early image in Jarreth and Kenneth Merz’s An African Election, suggesting the high stakes during Ghana’s 2008 presidential elections. Currently at the Quad Cinema, the documentary considers that election (when Nana Akufo-Addo of the ruling New Patriotic Party ran against John Atta Mills of the National Democratic Congress), history (the legacy of colonial rule, the decades of increasing corruption), and also points toward a kind of future, that is, the ways that elections have become—more and more, there and elsewhere (say, the US), contests over who can be loudest or least honest while appealing to broad bases. A smart, lively film—beautifully enhanced by a terrific percussive soundtrack—An African Election reveals how entrenched layers of trouble remain, despite and because of the cheering throngs, the advances in media technologies, the hopes for change. As journalist Kwesi Pratt puts it, “None of the parties is offering a paradigm shift. All of the parties will be doing the same thing, but some promise to do it better than the others.” How familiar does that sound? 

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Cage the Elephant Ignite Central Park with Kickoff for Summerstage Season

// Notes from the Road

"Cage the Elephant rocked two sold-out nights at Summerstage and return to NYC for a free show May 29th. Info on that and a preview of the full Summerstage schedule is here.

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