Meanwhile, the band is touring heavily throughout November and January.
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Watchers of the Sky focuses on a daunting insight, that brutality can take many forms, from war making to banking. Just so, it revolves around the concept of genocide, as complicated as it is horrific. The film follows the decades-long effort of activist Raphael Lemkin—who invented the term “genocide” in order to make it a legal and political as well as moral issue—to convince nations that it’s in their interests to institute a tribunal to hold accountable those who commit the atrocity, even if this means all other nations might monitor their internal affairs. Inspired by US Ambassador to the United Nations Samantha Power’s Pulitzer Prize-winning book, A Problem from Hell, Edet Belzberg’s documentary includes as well the stories of humanitarians including Luis Moreno-Ocampo (working on behalf of the International Criminal Court to prosecute Omar al-Bashir in Darfur) and Emmanuel Uwurukundo, working on behalf of Rwandan genocide survivors.
Bastille, the British epic pop sensation, made an impressive statement in 2013 with its debut Bad Blood. Following two incredible and creative cover mixtapes in 2012, Other People’s Heartache and Other People’s Heartache, Pt. 2, the band lived up to the promise hinted at by its early work, dominating world airwave with tunes like the stadium-ready “Pompeii”.
Ears With Feet, the name given to hardcore Tori Amos fans by Amos herself, can rejoice at the fact that on her latest tour to support Unrepentant Geraldines, the singer-songwriter is pulling out all the stops when it comes to covers and requests. In addition to defying expectations by premiering obscure tracks like “Zero Point” and dusting off extremely rare b-sides like “Alamo”, Amos is also digging deep into her catalog: back to her debut record Y Kant Tori Read to fulfill requests for these early songs, many of which have never been played live at all before 2014, and which fans have been asking her to do for many years to no avail.
WNYC’s New Sounds series allowed me to catch the Gloaming for the first time, a band I had been following for the past nine months or so having missed their prior performance in New York with the Kronos Quartet. During that time, their debut self-titled album was released and though it may have only found a small audience so far, it earned massive applause from the primarily European outlets that picked up on it. The Gloaming has its primary roots in Ireland and consists of Iarla Ó Lionaird’s traditional sean-nós vocals and organ, Thomas Bartlett / aka Doveman on piano, Caoimhín Ó Raghallaigh playing the hardanger fiddle, Martin Hayes on fiddle and Dennis Cahill on guitar.
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