“I was scared.” In August 2006, Renata Hill and six friends were arrested in the West Village. As she remembers it, they were walking outside the IFC Theater when a man accosted and then attacked them, leading to a fight when the women defended themselves. When police officers arrived on the scene, the man claimed the women assaulted him, at which point they were arrested, processed, and sent to Rikers Island, where they were locked in the fearsome BullPen, left to sleep on the floor.
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The Peanuts Movie is out on 6 November in the USA and 21 December in the UK.
William Shakespeare’s Macbeth has a long history of bleak adaptations, including the 1971 film version, directed by Roman Polanski. Up-and-coming director Justin Kurzel, who is also tapped to direct the Assassin’s Creed movie, has helmed up a new cinematic edition of “the Scottish play”, with Michael Fassbender as the titular bloodthirsty ruler and Marion Cotillard as the enigmatic Lady Macbeth.
As far as 20th century literary figures go, few are held in high repute as much as the late David Foster Wallace (1962-2008). Unsurprisingly, then, people have had a desire to further understand and process the man and his work, which in part explains the decision to make a film wherein he is a main figure. James Ponsoldt’s The End of the Tour is such a film; an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself, it tells the story of a road trip Lipsky takes with Wallace while the latter is on a book tour. Jesse Eisenberg plays Lipsky, and Jason Segel takes on the lofty task of portraying Wallace.
In 2013, Jobs, a biopic about the life of the late Apple CEO and co-founder Steve Jobs, was released to little fanfare. Starring Ashton Kutcher as the titular figure, the film received a mostly mixed response, from both critics and the higher-ups at Apple. Bill Fernandez, one of the early employees of Apple, called it “the biggest, flashiest piece of fan fiction that there’s been to date.”
Two years have passed since then, and clearly Jobs’ story is still compelling to many filmmakers, as director Danny Boyle (Trainspotting, Slumdog Millionare) and Aaron Sorkin (The West Wing and Academy Award-winning writer for The Social Network) have prepared their own spin on the life of Jobs. Their film, entitled Steve Jobs, is “set backstage at three iconic product launches” and concludes “in 1998 with the unveiling of the iMac”, according to Universal Films’ official statement.