In accepting the Academy Award for Best Documentary Feature on Sunday night. Laura Poitras focused, as always, on the significance of transparency and visibility. As the film she made with Glenn Greenwald and Ed Snowden reveals, such democratic ideals remain at risk by the American government’s activities and attitudes. For all the daunting information Citizenfour reveals it asks you not only to see, but also to take responsible for what you see. Sometimes, the film offers long, nearly meditative takes of exteriors, the Hong Kong hotel from afar, implacably shiny, or distant views of dully thunk-thunking machinery at a new NSA data collection facility under construction in Bluffsdale, Utah, and near film’s end, a long shot of a kitchen window, showing Snowden and his partner Lindsay Mills, in their for-now home in Moscow, quiet, ordinary, perfectly framed.
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In this inaugural edition of PopTalk, a new podcast on PopMatters, Evan Sawdey and Brice Ezell take a look at the controversial slate of Oscar nominations for the 2015 ceremonies. From there, they examine the other problems that occur in large award ceremonies like the Oscars, the Grammys, and the Emmys. Topics include the limited rules for what constitutes a “Best Original Score”, the exclusion of minority artists by predominately white voting blocs, and the refusal of certain award ceremonies to break their predictable trends.
“I’m not the weak one,” says Lucy. One time, she goes on, she “pinned down a boy.” A student at the Terry McArdle Free School, eight-year-old Lucy is doing her best to establish a place, a voice, and some respect among her fellow students and also her teachers. As Approaching the Elephant, Amanda Rose Wilder’s remarkable new film reveals, this is an ideal fostered at the school, founded by Alex Khost and modeled after the experiment started in Barcelona in 1901, a protest against the “reading, writing, and arithmetic model of education that came from the industrial revolution’s need for factory workers.” The participants at Terry McArdle, students and staff. Work together to craft structure, to discover independence, and to build community.
Yekra is a revolutionary new distribution network for feature films.
Join acclaimed directorÂ Velcrow RipperÂ (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, âHow could the crisis we are facing become a love story?â
Occupy Love explores the growing realization that the dominant system of power is failing to provide us with health, happiness or meaning. The old paradigm that concentrates wealth, founded on the greed of the few, is causing economic and ecological collapse. The resulting crisis has become the catalyst for a profound awakening: Â millions of people are deciding that enough is enough â Â the time has come to create a new world, a world that works for all life.
The film connects the dots in this era of rapidly evolving social change, featuring captivating insider scenes from the Egyptian Revolution, the Indignado uprising in Spain,Â Occupy Wall Street in New York, the environmental movement and beyond. Woven throughout the action oriented backbone of the film is a deep exploration of public love, and compelling stories of an emerging new paradigm. It features some of the worldâs key visionaries on alternative systems of economics, sustainability, and empathy, including Naomi Klein, Bill McKibben, Jeremy Rifkin, and bell hooks.
Occupy Love is a moving, transformative, heartfelt film, featuring Ripperâs signature stunning visuals and rich soundscapes.Â A powerful cinematic experience leaves viewers inspired.
“We were playing the roles,” Brandy Burre says. She’s talking about her marriage, but she speaks as well to the many roles anyone or everyone plays each day, the many ways we experience ourselves and others. In the film Actress, Burre goes on to reflect on her own “mom role” and her husband’s “breadwinner” role, and Robert Greene’s remarkable film goes on to work with her, to ponder, provoke, and pose questions about what it means to act, to perform parts and also to be authentic.