Latest Blog Posts

by Cynthia Fuchs

25 Nov 2015

Three years ago, Jordan Davis was shot and killed at a gas station in Jacksonville, Florida. He was 17 years old.

The man who shot him complained that Jordan and his friends played their music too loudly. When he pulled out his weapon to shoot at the boys’ car, the killer claimed self-defense, saying he saw a shotgun. No weapons were found in the car.

by Adrien Begrand

13 Nov 2015

Los Angeles singer-songwriter Danielle Birrittella, otherwise known as Dia, will soon be releasing her new EP with trendy LA indie label Manimal, but in the meantime she’s put together a gorgeous video for the track “Covered in Light”. And as you’ll hear, the track is reminiscent of everything from Beach House, to Slowdive, to Julee Cruise.

by PopMatters Staff

6 Oct 2015

Photo: Emma Swan

Dustin Ragucos:  Aside from being great music to set up a trailer for a new Grand Theft Auto game, “I Know There’s Gonna Be (Good Times)” will allow one to remember Kanye West’s great “Good Life” and then almost immediately forget about its existence. The vocals and electronics are so attached to each other that stripping one of those factors will rip the life force from the track. The song gets dirty, but listeners will feel their grimy lives cleansed by the Persuasions samples. [9/10]

by Adrien Begrand

13 Jul 2015

When they decided to tweak their sound on their second EP, Rochester, New York duo Roses & Revolutions had to have known they were on to something awfully good. Rooted in confessional singer-songwriter fare, guitarist Matt Merritt and singer Alyssa Coco have ventured further into pop on Torch, the sound broad enough to appeal to fans of alternative, mainstream country, and even R&B. Well-rounded and bolstered by tremendous hooks from start to finish, this is a record that deserves to be noticed.

by Cynthia Fuchs

23 Apr 2015

“Aileen,” calls out Nick Broomfield near the end of Aileen: Life and Death of a Serial Killer, “I’m sorry.” At that moment, she’s being led away by two prison guards, following her final interview with the filmmaker. Apparently furious that the questions have veered toward the murders for which she’s on Florida’s death row, Wuornos has cut off the meeting, exercising the only control she has over her experience at that moment. She turns back to the camera one last time and raises her middle finger.

//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

READ the article