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by Brice Ezell

16 Jul 2014


“Stella”, a track off of the forthcoming album by the St. Louis retro rockers the Feed, opens with the sound of a dog barking. It’s a fitting way to tease the tune that’s to come; though indebted in large part to the great classic rock bands of yore, the group brings its own unique energy to this solid cut. Particularly noticeable is its wonderful use of electric organ; in the verses, the chords are pumped with a staccato pop zeal, and as the song comes to its conclusion there is a break section where the organ comes to the forefront. This is the kind of songwriting that makes the phrase “rock and roll ain’t noise pollution” true still today.

by Brice Ezell

9 Jul 2014


The Chicago-based duo of Dan Zima and Xoe Wise, who go by the attention-grabbing name Kinky Love, are in the business of textural, spacey synth-pop. With their recently released Promise EP, the two garnered some attention to their take on this increasingly popular genre, and now with “Hush”, available for stream and download here on PopMatters, they are demonstrating their continuing interest in the craft. The clipped beat of the song, combined with its layers of synthesizers, proves to be an appropriately understated backing to Wise’s airy vocals.

by Brice Ezell

24 Jun 2014


Like many bands in this Kickstarter-obsessed age, rock outfit Bailiff funded their latest outing, the genre-melding Remise, through a fan-funded campaign. Of the many tunes that came from the successfully funded EP sessions is the wickedly cool “Helicopter”, which stands as one of Remise‘s most driving moments. With propulsive, infectious guitar riffs at the forefront, the band brings a great deal of energy in the track’s concise, four-minute runtime, during which vocalist/guitarist Josh Siegel deals with some heavy lyrical matter.

by Brice Ezell

11 Jun 2014


Miss your 15-minute window to buy tickets to Kate Bush‘s reunion shows in London? Well, you and most of the world are not alone. There is, however, a fine antidote to the “I’m not willing to sell my soul for some concert tickets” blues, and it comes in the form of an electrifying cover version.

by Sachyn Mital

3 Jun 2014


At the Bowery Ballroom on a Friday in May, Woods had their first show in New York in a year ahead of a long string of dates to promote their new album With Light and With Love. Songs from this new album, "a radical departure for the band -- a more refined and pop-oriented record" (nyctaper), made up the bulk of the show though the set included a cover Pink Floyd too. Woods were joined by openers Quilt, whose free spirited sound flowed tranquilly through the crowd in advance of the psychedelic headliners. When I went up to the balcony, I found out Woods' interesting backdrop wasn't a video projection. Two men were messing around with gel and liquid overlays on top of old school screen projectors. The homemade effects fit excellently into the band's organic set, melding experimental sounds with their melodies. As we described it earlier, their new album is "a complicated, rewarding balance between the grip of the past and the possibility of, if not the future, than at least the now." It is a rewarding listen and their show is exciting to see, so check out their tour dates below.
//Mixed media
//Blogs

Double Take: The African Queen (1951)

// Short Ends and Leader

"What a time they had, Charlie and Rosie. They'll never lack for stories to tell their grandchildren. And what a time we had at Double Take discussing the spiritual and romantic journey of the African Queen.

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