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Tuesday, Jul 16, 2013
Just one listen to "Global Concepts" will make sure you have no confusion as to what Robert DeLong's album Just Movement is all about.

In case you are at work, I’ll put this right out there. “Global Concepts” has the line “Did I make you fucking dance?”, so if you’re gonna listen to the energetic song with loud volume, you might want to do so with headphones on. Robert DeLong had to censor himself when he performed on Letterman, but even without the expletive DeLong made this party anthem work. This song is one that’s gonna get you on your feet with its frantic beats. Just part of the 50-minute album Just Movement, “Global Concepts” has similar elements to the rest of the album, leading one to believe the multi-talented singer, producer and Wii-mote slinger DeLong will continue to release his buoyant dance hits onto audiences around the world.


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Monday, Jul 15, 2013
Fanfarlo offer the new track "Myth of Myself" from their forthcoming third album as a free download.

Fanfarlo’s website was updated recently with the following statement concerning the status of their new album. You can get a download of their new song “Myth of Myself” below for the price of your email. It sounds a bit looser than their last album, especially with the levity the flute part adds to it, so it will be interesting to see what direction the band takes on the new album.


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Friday, Jun 7, 2013
by PopMatters Staff
Georgia"s Tedo Stone and band traffic in a brand of '70s-esque, swaggering, peach fuzzy guitar rock, drawing influence from T. Rex most notably.

It’s a sound bound to interest Strokes fans, as well as anyone who appreciates melodic rock music. Tedo Stone will be releasing his debut album, Good Go Bad, on July 9th via the always-interesting This Is American Music label. Today we present the premiere the lead single, “Taste”, which Stone tells us all about in his own words…


“Even though it’s the the lead single on my new record, Good Go Bad, ‘Taste’ has actually been around almost five years. It was one of those songs that comes to you like lightning—I wrote the whole thing in less than an hour. When we recorded it in the studio, we recreated my demo almost exactly, which was unusual for this record; it’s the only song that came out exactly as I had envisioned. It’s a go-get-‘em, carpe-diem kinda song, a get-off-your-ass-and-do-something song. It’s about that conflict everyone experiences in their head—‘Do I sit on the couch and relax at home today, or do I get out and do something with my life?’ Both are good for different reasons, but ‘Taste’ is about finding balance between the two. At the end of the day, it’s a fun, catchy little pop song everyone in the band looks forward to playing in our live sets.”—Tedo Stone


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Thursday, Jun 6, 2013
by PopMatters Staff
“Utopia”, the new track by Toronto's Nightbox, sounds utopian, conjuring up images of a brighter, better future.

“Utopia”, the new track by Toronto disco revivalists Nightbox, sounds, well, utopian, as its gleaming synths and pulsing rhythmic elements conjures up images of a brighter, better future. When singer Jake Bitove calls out, “Take you away / Take you away / Utopia,” in his smooth, high-but-not-too-high cadence, it’s an offer that’s hard to refuse, whether he’s welcoming you to the dancefloor or some city of tomorrow. But it’s when the buzzier guitar textures enter the scene that this “Utopia” feels the most real, giving the neon-lit atmosphere some grounding.


Tagged as: nightbox, premiere
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Friday, May 31, 2013
by PopMatters Staff
If you combined Kate Bush's vocals with Smashing Pumpkins at their dream-poppiest, you might just come up with Spotlight Kid's "Sugar Pills".

Sure, you can’t help but appreciate the obvious, that Spotlight Kid’s new single “Sugar Pills” comes off like Kate Bush singing “Running Up That Hill” with Smashing Pumpkins at their Siamese Dream dream-poppiest backing her. Whether that combination sounds like an idea whose time has come or an improbable hybrid, Spotlight Kid pulls it off on “Sugar Pills”, highlighting its own expert hand in shaping melodic waves of noise. There’s just a palpable enthusiasm and energy to the Nottingham group’s propulsive guitar-driven approach that lets “Sugar Pills” stand on its own, no matter who or what it reminds you of.


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