”Vertical Lines A began in earnest back in 2005 with a mostly uneventful Friday field-recorded across a stack of 23 hour-long cassettes, each one tagged with a number corresponding to its order of recording. Once committed to tape, I began the process of deconstructing that day and recompiling the fragments into music, one cassette at a time. This is where the titles come from—each song’s sound source material is drawn from the corresponding cassette. And save for a few notable moments, all the album’s music is drawn from the cassettes; it’s mostly devoid of actual instrumentation and nearly all of it is either diced moments from the cassettes or my voice. And exactly a year later, after a detailed process of digitally slicing, sifting, layering and interpreting, Vertical Lines A sat there blinking and awake. So, as you listen to each minute go by, you’re not only hearing the music itself, but also 11 condensed hours in field recordings, and a year’s worth of thought and effort. While Vertical Lines A is fully autonomous as its own creature, it’s actually just one solidified half of an eventual two-album project, the second half still phantom.” -– Caleb Mueller, Decomposure
They Might Be Giants
Friday Night Family Podcast [MP3]
Filled with top-notch songwriting, propulsive energy and artfully biting lyrics, The Last Post is the rollicking debut uniting punk rock icons Mick Jones (Clash, Big Audio Dynamite) and Tony James (Generation X, Sigue Sigue Sputnik). Friends since 1975, Jones and James began writing together in 2002, the same year Mick produced The Libertines’ groundbreaking debut. With the addition of Leo ‘E-zee-Kill’Williams (Big Audio Dynamite, Dreadzone) on bass and Dominic Greensmith (Reef) on drums, the band gave away a few MP3s on their website, released a few singles and started gigging around. Produced by Mick and Tony and mixed by the legendary Bill Price (Clash, Sex Pistols, Pretenders), The Last Post is a roaring, unruly and infectious return to form that will please and excite fans old and new.
The Radishes are a San Francisco/Los Angeles based band with a sound that has been described as Nirvana meets Motorhead. Other influences include such high-energy units as The White Stripes, The Stooges, Ministry, The Hives, Arctic Monkeys, Scratch Acid, and NIN, with hooky, angular guitar lines, ferocious vocals, and a unique, darkly ironic approach to songwriting.
Saturday Looks Good To Me is the songs and experiments of Michigan-born songwriter and producer Fred Thomas. Without ever straying from the goal of making perfect pop songs, this record draws deeper into a vault of personal feelings and intimate musical expressions, taking risks and trying to be as honest as possible. All the sounds are warm and urgent, joyful and kind of nervous, like an eerie celebration that starts right after something really horrible has happened. Lush string sections and electric piano lines dance with washed-out samples and bits of tape collages. Bouncy Smiths-like guitar lines stop abruptly and give way to white album-esque melodies. Wordless voices rise up at once then fall away; everything has its place.