Latest Blog Posts

by Brice Ezell

10 Jul 2014


The History of Apple Pie have released a new tune from their forthcoming album, Feel Something. This LP follows their debut, Out of View, which PopMatters premiered in the US back in 2013. Just as it was the case on Out of View, the band’s new tune, “Tame”, is a tasty slice of pop, with pumped piano chords forming a jaunty rhythm that complements the song’s somewhat hazy production quality.

by Brice Ezell

10 Jul 2014


“Ego Death”, the latest cut from the always-eccentric MC Busdriver, includes the phrase, “Playing patty-cake with Ira Glass.” (It also opens with the timeless question: “Is it sexier than torture?”) The song is indicative of the more song-oriented direction Busdriver has taken following his 2012 release, Beaus$Eros. Like many of the tunes on that record, his hyperspeed flows are anchored by simple hooks that provide continuity to his unmatched verbosity. Joined by Aesop Rock and the always zany Danny Brown, Busdriver once again proves there’s no one out there making rap music like his.

by Brice Ezell

10 Jul 2014


The LA-based duo of Holiday J and Nicole Turley have taken on the name Amoureux in making their romantic, hazy dream-pop. A remarkable distinctive for the duo, however, is that rather than getting caught up on the treble end of the sonic spectrum, as many dream-pop bands do, the duo emphasizes rhythm instruments, particularly Holiday J’s distinctive bass playing. “Lost the Plot”, a track from their soon-to-be-released debut EP Never Young As Tonight, balances washes of textural sound with a pronounced low end. Like the rest of the EP, the song retains a loose, improvisatory feel, due in large part to the fact that most of the tracks on the EP were recorded in one take.

by Brice Ezell

10 Jul 2014


With their newest studio release El Pintor just on the horizon, Interpol has just dropped the first music video from the LP. The song, “All the Rage Back Home”, is a driving, foot-tapping number that’s perfect for building up anticipation leading up to El Pintor‘s public unveiling.

by Sachyn Mital

10 Jul 2014


WNYC’s New Sounds series allowed me to catch the Gloaming for the first time, a band I had been following for the past nine months or so having missed their prior performance in New York with the Kronos Quartet. During that time, their debut self-titled album was released and though it may have only found a small audience so far, it earned massive applause from the primarily European outlets that picked up on it. The Gloaming has its primary roots in Ireland and consists of Iarla Ó Lionaird’s traditional sean-nós vocals and organ, Thomas Bartlett / aka Doveman on piano, Caoimhín Ó Raghallaigh playing the hardanger fiddle, Martin Hayes on fiddle and Dennis Cahill on guitar.

//Mixed media
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Red Baraat Blows Hartford Hall Down Celebrating the Festival of Colors (Photos)

// Notes from the Road

"Red Baraat's annual Festival of Colors show rocked a snow laden Hartford on a Saturday evening.

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