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Brooklyn-based (who isn’t these days?) musician Monika Heidemann, who records under the all-caps HEIDEMANN, peddles in emotive-synth driven music that emphasizes her voice. The instrumental backing to her music, comprised of synths, bass, and analog drum programming, is largely unobtrusive, allowing her voice to rise to the forefront and create a somewhat brooding mood. Orphan, her debut EP, forms a clear statement of intent in this regard.
From a single synthesizer one can generate a seemingly endless repertoire of sounds, a fact which an equally endless amount of young bands around the world have capitalized on since the creation of that instrument. The Frail finds itself amongst this burgeoning electronic music scene, and like the genre’s luminaries, it’s a group that knows quite well how to wring a potent hook out of its synth arsenal. The trio is comprised of Daniel Lannon (vocals and synths), Israel Chavarin (bass), and Kevin Durr (synths). Their debut, LoveDeathLegend, follows two EPs, Count on This and the fittingly titled Lasers Over Lovers. LoveDeathLegend finds The Frail making a mellifluous batch of synth-driven pop tunes, enhanced in large part by Lannon’s Michael Jackson-esque vocals.
Lush production and silken vocals coalesce in a trippy brand of dream pop with Detroit duo Sleepless Inn. The former is the product of aural architect Eddie Logix; the latter emanates from the pipes of Laura Finlay and her chanteuse-like approach. That dichotomy is in full display in new single “Escalators”, the follow up to debut EP The Rainbow Room, released in April.
// Notes from the Road
"Although sound issues delayed their set on the second night, Slowdive put on an unforgettable show in Brooklyn, or rather two shows.READ the article