Lovett will begin a North American tour on May 1 with an appearance at Jazz Fest in New Orleans.
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They started writing right there on the beach, and the songs kept on coming as they worked their way up the East Coast, finally pulling into Montreal, where they spent long nights at the Wheel Club until the spring came and the snow melted.
It’s a resigned yet scathing indictment in a tune steeped in line after line of social commentary, the couplets’ biting quality matched by their astuteness. Coming from the beleaguered city of Flint, Michigan, themes of cultural divide and entropy aren’t foreign to Olaniran. Yet, as the new video for “The Highway” shows, reflecting on the steam-rolling nature of cultural exploitation and gentrification doesn’t preclude such lofty subject matter from being presented in an entertaining manner.
“The first phrases of ‘Rainy Days Ahead’ came to me when I was spending time at our summer cottage,” says Kari Rueslåtten. It’s “an old, worn out farm house in mid-Norway. The place is surrounded by the wild landscape that area is known for: steep mountains going straight into the sea and beautiful open spaces of green in between.” Rueslåtten’s description is one that could apply to any number of the tracks on Time to Tell, her first studio album in nine years. She composed the album primarily by singing while at the piano, which allowed her to find the strongest melodies and arrangements possible: “If the verse and chorus works just accompanied by the piano, it will work with other arrangements in studio too.”
// Sound Affects
"Sharon Jones and Woodie Guthrie knew: great songs belong to everybody.READ the article