Gothenburg, Sweden-based musician Adna has caught a lot of attention globally for her moody and beautiful brand of songwriting. Her music’s somewhat chilly melodies in no doubt are informed by her native Sweden, a country renowned for its melancholy musical exports. (Even the otherwise cheery ABBA went out on a gloomy note with their final LP The Visitors.) Following the momentum built up from her debut LP Night, Adna has readied her sophomore outing, Run, Lucifer, for a 2015 release. In addition to the recently released lead single “Living”, Adna has also covered the tune “Thank God for Sending Demons” by the Swedish producer Kleerup to lead in to the release of her new album.
Latest Blog Posts
With a résumé including membership in two bands (Uncle Earl and Sometymes Why), a stint on A Prarie Home Companion, and recording with Sufjan Stevens, Kristin Andreassen has already well proven her musical chops. She also displays them quite well on her 2006 solo debut Kiss Me Hello. Now, Andreassen is preparing for the release of her sophomore studio LP, Gondolier, in early 2015. Below you can stream the tender folk of “The New Ground”, a warm introduction to the music that is to come on the album.
There’s a certain artificiality that comes with much Christmas music, due in large part to the over-commercialization of the holiday. After hearing the umpteenth muzak rendition of “Jingle Bells” while shopping for rum to spike your eggnog with, the supposed joviality of the holiday is bound to fade into background noise. For that reason, songs like “Ho Ho, Ho Hum” by the Seattle-based singer/songwriter James Apollo are all the more refreshing. The song’s lounge mood and barroom piano evoke the cigarette smoke and loneliness of a film noir, a feeling that Apollo no doubt intended, given the song’s music video is shot in a melancholy black and white. “Ho Ho, Ho Hum” isn’t the song to play when trying to liven up a holiday party, but it does genuinely capture a feeling that many people experience during the holiday season.
While Pinecones vocalist and guitarist Bo Orr also plays in the straightedge grindcore band Dead in the Dirt, one best not go into the music of the former group expecting anything like the latter. As LPs like 2013’s The Blind Hole attest, Orr is more than capable of bludgeoning the ears with brutal riffs. By contrast, with Pinecones Orr, along with bandmates Ben Salie (drums), Brain Atoms (guitar), and Ryan Evers (bass), is writing guitar-centric rock that’s far friendlier to the ear canals.
Try as one may, lumping in the North Carolinian musician Jake Xerxes Fussell in with the contemporary folk revival just won’t do. While bands like Mumford and Sons use folk as a veneer over what is undeniably a rockist songwriting mentality, Fussell is a deeply read student of the blues and American roots music, having studied at the Southern Studies department at the University of Mississippi. That experience is in addition to his years playing music and touring, as well as an appearance on A Prairie Home Companion. His philosophy and praxis is best summed up by this quotation, taken from the press release to his forthcoming self-titled LP: “Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these.”
Below you can stream “Raggy Levy”, the first track from Jake Xerxes Fussell to be released.