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Wednesday, May 26, 2010

Isn’t it great when a band you love covers a song you love… and does it well? There are at least 22 different versions of “I’m a Believer”, which Neil Diamond wrote and the Monkees took to No.1 in 1966. Now you can add Weezer’s version to that list, because they have covered it for the Shrek Forever After soundtrack. Covered by Smash Mouth for the first film’s soundtrack, it has sort of become the theme song for the entire franchise of movies. Weezer doesn’t translate “I’m a Believer” into anything other than what it really is, a fun, rockin’ song. While there’s something to be said for when a song is completely re-interpreted into something else, it’s still awesome when somebody plays it straight instead. So, here we have, courtesy of frontman Rivers Cuomo’s tweet, this fan-made YouTube video.



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Wednesday, May 26, 2010
by PopMatters Staff



The Detroit duo the Black Keys brought their primal rock to the Letterman stage last night, playing the lead single (“Tighten Up”) off their new album Brothers. Last week PopMatters’ David Gassman said of the album, “thankfully, as the telegraphically back-to-basics cover art would suggest, Brothers finds Dan Auerbach and drummer Patrick Carney regaining some of the sweaty basement immediacy that characterized their best work.”


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Wednesday, May 26, 2010
by PopMatters Staff



Crystal Castles released their latest album, imaginatively titled Crystal Castles, earlier this week after an early leak forced the release date forward. The Canadian electronic band also promoted the new record this week on Jools Holland’s fine show in the UK.


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Wednesday, May 26, 2010

This fascinating collection presents strange projects that have attempted to “bring out the sonorous landscapes of moaning pillars, roof-beams, haunting bells and perhaps an eek of startled mouse, or two”.


David Byrne’s wonderful “sound installation” tops the list. Titled “Playing the Building”, the project utilizes practically every part of an empty to create haunting, clanking music: air blows through pipes for strange flute-like sounds, while motors trigger pieces of metal to strike various parts of the structure. There are also some amazing photos of the mind-boggling, Tom-Waits-ian, steampunky piano-thing that controls the music. [via Dark Roasted Blend]


David Byrne explains his latest musical project, “Playing The Building”


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Tuesday, May 25, 2010

The great Documentary Heaven presents this BBC film that delves into the early days of synth music, and features a list of contributors that includes Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant. From the official description: “In the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard and dreamt of the sound of the future against the backdrop of bleak, high-rise Britain.”



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