Wavves’ new release King of the Beach had their digital release bumped up to today. You’ll have to wait until 3 August to pick up the CD. The band previews “Super Soaker” from the album in this video. You can hear the full live session on Sirius.
The Way Out
Releasing: July 2010
The Books have jumped from Tomlab to Temporary Residence for their upcoming album. On their Tumblr page, they claim that placing the new record was frought with difficulties: “Finding a home for this record was a pain in the ass. Everyone I’ve played it for says it’s our best, most daring record yet, and still, all of the labels we admired that we thought would go for it wouldn’t touch it.” The band has given us an early taste with the MP3 of “Beautiful People”.
Earlier in June, saxophone legend Fred Anderson had suffered a heart attack and then fell into a coma in a Chicago hospital. He died soon afterwards, he was 81 years old.
The word “legend” gets overused all the time, especially by us music writers who happen to like jazz. It’s about as difficult to define as, say, “classic”. And although Anderson’s name will probably not reach household status like Charlie Parker’s anytime soon, it’s safe to say that modern jazz would have been very different had he never been born. Fred Anderson spent most of his life and career being a big fish in a big pond, lending a hand to his contemporaries (Joseph Jarman, the AACM) while schooling the newbies (Ken Vandermark, Nicole Mitchell, George Lewis, Hamid Drake). With such a far-reaching influence, Anderson has supplied us with a lifetime’s worth of hard-bop, avant-skronk, free-jazz disciples. His death may sadden us, but he already took measures to make sure we wouldn’t be empty without him.
My first and so far only visit to the Velvet Lounge, Anderson’s live music club in Chicago, was in early 2008. As I watched Dushun Mosley’s band tear through their second set of the night, my brother nudged me and said “that’s Fred Anderson taking door money over there.” He had arrived sometime after I had that evening, and his unassuming entrance apparently had done nothing to distract me. His stooped-over figure and slow steps definitely broadcast the fact that he was elderly. But did he set a nursing home schedule for himself towards the end of his life? No way. His 80th birthday was an all-out bash.
The Velvet Lounge’s website has numerous downloadable samples culled from a variety of albums Anderson had appeared on. Just bear in mind that each file is an edited snippet lasting a minute or two.
At this past weekend’s Glastonbury Festival, Colombian pop sensation Shakira revealed that she too was a fan of the much revered indie wunderkinds the xx. She then launched into a cover of “Islands”, a highlight from the band’s self-titled 2009 debut. Although less intimate than the original, Shakira has managed to amplify the tremendous pop sensibilities embedded beneath Romy Madley Croft’s and Oliver Sim’s hushed coos. And, as great as the xx are, it’s probably safe to say that Shakira can cut a rug better.
The first video from Pernice Brothers’ latest release, Goodbye, Killer, “Jacqueline Susann” offers no great visual appeal, but the song is the real star of the video anyway—the kind of perfect little pop song the Pernice Brothers do so well.