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by PopMatters Staff

30 May 2013


by PopMatters Staff

30 May 2013


Draper’s latest record is Edgewise, which released last week and notably rekindled her musical passions. “With this album, I feel I’ve come full circle,” she says. “I feel myself returning to the roots that originally sparked my enthusiasm for music.” Today we present the premiere of her second single from the new record, “Shadow of a Coal Mine”.

by PopMatters Staff

28 May 2013


Photo: Courtesy of Guitar Center

“Flux & Flow” and “Cactus in the Valley” are both given a live workout by Lights for her recent “At: Guitar Center with Nic Harcourt” podcast. The vocals are enigmatic and passionate and the cello handling bass duties is simply exquisite. The simple arrangements of vocals, guitar, and cello highlight the strength of these tunes.

by Jane Jansen Seymour

24 May 2013


Headset. Image via Shutterstock.

With Memorial Day the official start of summer, it’s time for another playlist to indulge in over the long weekend (along with the long awaited, new episodes of Arrested Development). Highly anticipated albums by Vampire Weekend and The National were released this month, along with new music by Deerhunter and Dale Earnhardt Jr. Jr. Newcomers such as CHVRCHES and Hands fill out the list with new tunes from Yo La Tengo, Foals and Telekinisis and more. Time to fire up the grill and crank the tunes.

by Imran Khan

24 May 2013


Andy Kayes, an up and coming France-based British rapper, released his indie-album, 2012’s Alone in Numbers to little notice. So it’s surprising when you take one look at the neon-saturated glow of his promo video, “The Man Without a Face”, a stylish exercise in decadent glamour and cutting street-smarts. While Kayes certainly doesn’t have the kind of major-label cash to throw around, the video’s intelligent sense of style (an ingenious use of colour, clever effects and skillful editing) easily trumps the marketing efforts of his far more financially-endowed hip-hop contemporaries. The number’s lean, stripped-to-the-bone beats on which rivers of verbal flow ride atop give ample room for Kayes and his cohort, Copywrite, to demonstrate their rhyme-technique. Sized up against Kayes anxious, nimble and textured verse, Copywrite’s no-nonsense rhymes slice like a serrated blade.

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Gremlins and the Housewife in 'Don't Be Afraid of the Dark'

// Short Ends and Leader

"The house itself wants to pull the neurotic woman into its maw and absorb her whole as a literal housewife.

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