Wildlife Control is quite literally, a band of brothers. And not your average one at that. Formed in late 2009/early 2010, Wildlife Control is an indie rock band, made up of brothers Neil and Sumul Shah, originally from Northeast Pennsylvania, who came together because they both felt that music like theirs had to be made. Part of what makes them so unique is that the brothers live and operate on different coasts, Neil being based in Brooklyn, and Sumul calling San Francisco home. Somehow, though, they manage to play shows, during which they switch on and off with different instruments, sharing vocals and incorporating drums, guitar, and piano (they also have a long time friend who cameos on bass). What makes Wildlife Control even more unconventional? They’re lack of a record label. Having premiered their first single “Analog or Digital” in December, they’re due to debut their first EP, “Spin” in March. The brothers are also looking to release a full LP later in 2012, all while being unsigned. Responsible for their own recording process, any song you hear of theirs could just as easily have been laid down in a stairwell or local park as in an actual recording studio.
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Today brings the newest entry in Converse’s “3 Artists, 1 Song” promotional program—a fun, quirky dance track by Damon Albarn (Gorillaz), Andre 3000 (OutKast) and James Murphy (LCD Soundsystem). According to Pitchfork, “DoYaThing” was recorded live in Albarn’s London studio after three days together, and this four and a half minute version will be followed by a full length, twelve minute version. There will also be a video debut on February 29 to keep the traffic flowing to the Converse website. The marketing tie-in involves three Limited Edition Chuck Taylor designs by Gorillaz Co-Creator Jamie Hewitt, featuring the colorful camo print associated with the band.
With the opening keyboard chord, “DoYaThing” folds into electronic blips and a one-take opening by Albarn, typically smooth and sultry. Andre 3000 hits the ground running for his one-take rap, taking us back to the happy zone with a bloop de bloop. All that’s missing is some nice crooning by Murphy, although the uplifting choral harmonies towards the end create a classic LCD Soundsystem moment anyway. Download the song here.
I must be getting older, seriously. It’s taking me way longer to get a buzz on these days: “Done that gig, heard those riffs. Yawn.” Then, quite out of the blue, I got hit by a tune this morning that’s had me riding the replay button ever since.
It’s a track called “Cherry Ripe”.
Can’t say I know a great deal about the duo responsible: except they’re called Elijah and Ava Wolf. Equally, I can’t tell you much more than: this is a demo, apparently. So it’s not even got a video clip to hypnotize.
All I know is: someone, somewhere, slipped Elijah Wolf’s “Cherry Ripe” to someone else. Then they liked it enough to stick it on in the background of some TV show – which went out and I caught last night. After which, the damn track’s been caught in my head ever since. One Google later: and the full harmonies have been stuck in my brain ever since.
The long-awaited Big Star documentary is set to have its debut next month at South by Southwest in Austin. According to the director, Nothing Can Hurt Me: The Big Star Story is a feature-length documentary “of artistic and musical salvation”, chronicling the development, decline, and triumphant legacy of Memphis’ beloved underground heroes.
Headed by ex-Box Tops singer Alex Chilton through the early ‘70s, Big Star released three critically embraced albums in its short lifetime, but never was able to achieve broader success. However, like the Velvet Underground before them, it would be a small, but committed core of followers who would propel this Memphis band to cult status for years to come. A wide swath of artists including R.E.M., Cheap Trick, the dB’s, the Replacements, Jeff Buckley, the Flaming Lips, and Elliott Smith have all acknowledged the influence of Big Star and the importance of their music.
Within minutes of announcing their 12-date tour of the (mostly western) United States, Explosions in the Sky had to make it a 13-date tour. Their San Francisco date sold out almost instantly, making it more than necessary to play an extra night at the Palace of Fine Arts Theater.
Check below for tour dates, and a weirdly hilarious (also hilariously weird) yet touching video, Be Comfortable, Creature.
// Moving Pixels
"The common cries of disappointment that surround No Man’s Sky stem from the exciting idea of an infinite universe clashing with the harsh reality of an infinite universe.READ the article