Latest Blog Posts

by Sarah Zupko

21 Oct 2010


Toronto’s Bonjay create a kinetic blend of electro-soul, dancehall, and big beats that end up lodging in the brain as instant memories and the body as a means of motion motivation. Yeah, they make you wanna dance with abandon big time. That’s probably why Bonjay and director Sammy Rawal made two videos for “Stumble”, each with a different dancer choreographed by Dana Michel to represent a blend of dancehall and club styles. Hot stuff, both of them and we have the premiere of the one featuring Liana Lewis for you. Check out the alternate take with Addy Chan over on NOW.

Bonjay is the duo of Alanna Stuart on vocals and Ian “Pho” Swain behind the decks. They’ve been collaborating since 2006 and the hype is on the ascendant with the CBC tagging Bonjay as “one of the top 10 Canadian bands destined to break in 2010”. If “Stumble” is any indication, they are well on their way.

by J.C. Sciaccotta

21 Oct 2010


Twin Shadow has been garnering considerable attention in the press for his ‘80s New Wave-inspired sound. In anticipation of his full-length debut—Forget, out November 15 via Terrible Records (US) and 4AD (ROW)—he recently began a tour of the US, UK, and France.

Check out his Calvin Klein circa 1995-inspired video for “Slow”, below. Complete tour dates after the jump.

by Timothy Gabriele

20 Oct 2010


A look under the microscope reveals an oddly beautiful array of 8mm found footage of swimmy little shadows and dissipating neon-dyed chromosomal helixes. Grubby Little Hands is a Philadelphia-based band that sounds like at times like a more ramshackle Elephant Six band, with a folky bent that’s not so much freaked as is pleasantly somnambulant or whimsically lazy. “Twelve Tones, Two Windows” finds them at their drowsiest, barely able to whisper the lulling tones above the sweet chiming backdrop. But that makes it wonderful music to pass out to, a last fizzle from the campfire embers as the night winds down.

by Andrew Gilstrap

20 Oct 2010


Swedish sisters Klara and Johanna Soderberg are still on their way out of their teens, so their music sometimes displays an earnestness that can chafe at those of us who have been around a little bit longer.  You know what, though? We need to get pushed off of our crusty “Grampa Simpson” high horses sometimes, and the sympathetic harmonies that kick in about two minutes into “Ghost Town” certainly do the trick. That devastating regret-filled stanza about being left behind in someone’s memory doesn’t hurt, either. Young or old, we’ve all been there before.

by PopMatters Staff

20 Oct 2010


Meat Beat Manifesto have been perfecting their techno sound since 1987 and have been major influencers on trip-hop, as well as drum and bass along the way. MBM’s latest album, Answers Come in Dreams, dropped last week via Metropolis Records and today we present the premiere of their new video for “Waterphone”. Juxtaposing vintage film footage—among some of the earliest recorded by the first movie cameras of the turn-of-the-century—with their hyper-modern electro beats, “Waterphone” is both artsy and cerebral.

//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

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