The 1967 pop ditty, “C’mon Down to My Boat”, evokes sweetness and light. Every Mother’s Son seemed like good guys who just wanted to free a hard working girl from the clutches of her fisherman father. But lately, I’ve been wondering. The line, “Soon I’m gonna have to get my knife and cut that rope”—what does it really mean. The daughter is not literally tied to the dock. That would be too kinky. The more logical allusion is that the familial obligations keep the girl tied down. Therefore, what is Every Mother’s Son really gonna do with that knife? Do the lyrics suggest an act of violence? Does the sugary pop confection hide a darker meaning, and the singer is going to stab and kill the father so he can elope with the daughter? That may be reading too much into the lyrics, but the Summer of Love from which this song emerged soon turned into a more brutal era. Perhaps the clues were there all along, in innocent music like this.
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The Lovetones’ Matthew Tow has been playing in Brian Jonestown Massacre since 2003, all the while keeping his own band chugging through five albums. That fifth release is Lost, dropping 28 September on Planting Seeds Records. The group’s 2009 record, Dimensions, garnered an 8 from PopMatters, with Sarah Moore talking about how the Aussie band “brings a down-under haze to psychedelic pop mindful of the 1960s.” Lost features nine new tunes, including the opener “City Meets the Stars”, that continues to display the Lovetones’ love of psychedelic jangle pop rooted in the ‘60s and influenced by the Byrds, the Beatles and the Moody Blues.
Caleb Nichols, formerly of Oakland’s Port O’Brien has collaborated with Jameson Swanagon on and off for the past 15 years. It took Swanagon’s return to the Bay Area from Boston to solidify their musical partnership in Grand Lake. The band’s debut, Blood Sea Dream, came out this Tuesday. The band is planning a free, new supplemental release called Soft Lake, releasing soon, that will include more minimalistic takes on songs from Blood Sea Dream as well as few new tunes. “Louise (I Live in a Fantasy)” appears on the earlier album, but here we have the free download premiere of the new take on the tune that will soon appear on Soft Lake. The original is a rocking tune, while this new interpretation is pastoral and folky, a thorough re-working.
Oh how I love pulling up Morning Becomes Eclectic on kcrw.com and seeing there’s a fave band for the scheduled session that day! Such was the case when The Gorillaz performed August 18th and it was nice to experience the fresh sounds of live performance. Layers of certain songs were more prominent, the sound of an engine for example, so it all felt new again. It was also nice to hear Damon Albarn be more forthcoming during the interview compared to the “Colbert Show” where he was clearly not in on the ruse that Stephen Colbert is acting out a persona, or maybe Albarn was just hungover.
Here’s the link in the KCRW archives to experience it yourself!
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