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by PopMatters Staff

9 Feb 2016


Jedd: Beaudoin: Helloooo. Where did this come from? Love it. It’s got that (forgive me) Kate Bush/Peter Gabriel thing happening for it while also having its own character. Coming back to this one again and again. [9/10]

by PopMatters Staff

9 Feb 2016


Stephen Wyatt: PUP’s anonymity will be short lived. They write anthems and odes the perils of puberty and the abyss of adulthood, and “DVP” is no different. Holding onto hardcore music’s finer elements—frenetic guitar work, drums peaking at the end of an amphetamine rush, and the admixture of screaming diatribes (“I need to grow up!”) and surfer melodies—PUP primes themselves for a future that would benefit for a revival in hardcore music. [8/10]

by Danilo Bortoli

9 Feb 2016


Piano music, even considering the neoclassical movement that sprouted (briefly) during the beginning of the last decade, is still regarded as a formalist type of art. It’s rare to see artists in the mainstream and even in the blogosphere break through the model. When such event takes place, we end up getting Max Richter‘s deeply rooted Romanticism or Nils Frahm‘s more agitated experiments.

by PopMatters Staff

9 Feb 2016


Stephen Wyatt: Flume knows very well how Vince Staples can make a track turnt. The 24-year-old enfant terrible sharpens his production fangs on “Smoke and Retribution”, providing sweetness in Kucka’s deliberately quiet delivery to Staples’ untainted saltiness. As Staples’ verses drift in between Flume’s airy opus, the song’s brevity fails to underscore his purpose. Moreover, Kucka’s underutilization on “Smoke and Retribution” triggers the thought that this track was, in fact, rushed and unfinished. [5/10]

by PopMatters Staff

8 Feb 2016


Photo: Zoran Orlic

Stephen Wyatt: Twenty years later, Low still travels at the speed of silence, utilizing time and space as instruments equally worthy of their otherworldly harmonies. Mimi Parker delivers moments of peace in whispers on “Into You” and explodes over the classically-formed minimalism Alan Sparkhawk constructed during in the era of grunge. Even today Low sounds more like an antidote to overproduced pop and EDM. The sparse electronics carefully instruct today’s musicians about how the less-is-more philosophy still reigns as pop music’s perfect prescription. [9/10]

//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

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