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by Cole Waterman

31 Oct 2013


Dum Dum Girls have christened Halloween by unveiling the specs on their forthcoming third LP, pairing the announcement with the video for the record’s lead single.

The 10-song record, Too True, is due out January 27, 2014, in Europe and January 28 in the U.S. on Sub Pop. It is the follow-up to quartet’s last full-length, 2011’s Only in Dreams, and their 2012 EP End of Daze. It is produced by previous Dum Dum Girls collaborators Richard Gottehrer and the Raveonettes’ Sune Rose Wagner.

by PopMatters Staff

25 Oct 2013


by PopMatters Staff

24 Oct 2013


Back in 2011, PopMatters’ Matt James raved about Lydia Loveless’ aptly titled sophomore outing, Indestructible Machine, noting that “Lydia Loveless’ second record is, by turns, a succession of swift punches to the face followed by a lover’s warm, passionate embrace. Either way, it holds your attention. Indestructible Machine is as good as anything I’ve heard this year and marks the true, and truly defiant, arrival of what could be a serious talent.”

by Christian John Wikane

22 Oct 2013


It’s a good time to be a “souljer”. That’s the name of Russell Taylor’s ever-growing legion of listeners. The singer-songwriter recently premiered his video for “War of Hearts”, the first single off his forthcoming album.

A few years have passed since Taylor’s Confessional (2009) breathed fresh life into the independent soul music scene, but “War of Hearts” proves it’s been worth the wait for new music from one of R&B’s most gifted vocalists and songwriters. “I have been working on this CD for over a year, and ‘War of Hearts’ was the pivotal point for me,” Taylor explains. “It was the genesis for the sound of the entire CD (War of Hearts).” Indeed, the title track is cushioned by an appealing sparseness that accentuates Taylor’s strong vocals.

by Barry Lenser

15 Aug 2013


From “Do I Wanna Know?”: “Ever thought of calling when you’ve had a few / Cause I always do.” Then on the band’s latest, “Why’d You Only Call Me When You’re High?”—a tiptoeing, after-hours, R&B-pop ditty—Turner tries repeatedly to arrange a booty call, but only receives the titular question in response (see the hallucination-dotted video below, directed by Nabil Elderkin, for a cheeky rendering). He’s forced to lament, “I haven’t found what I was hoping to find.” Though the distance between Arctic Monkeys’ scrappy roots and their current megastar selves (complete with plush suits, morphing accents, and fewer hooks) is sizable, Turner the lyricist remains a clever and relatable wise guy. It’s his and the band’s most appealing strength.

//Mixed media
//Blogs

A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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