Backed by Books One, Maestro Gamin returns after a brief hiatus with a single from the upcoming Miracle Work Medicine EP. Decidedly more straightforward than his previous works, “Future Calling” mines a chunky, percussion-looped groove laced with the sample of a Middle Eastern buzok. Gamin’s designs are more socially-conscious on this latest effort, forgoing the surreal, cut-up lyricism that defined his earlier work. The tune never directly references the colour-line issues we are currently undergoing these days. Rather, there is the sly circling of racial matters that brings the rapper’s poetry into spiritual form. Gamin’s voice, quite like the soulfully smooth consistency of peanut butter, rips an edge rougher than usual here; his lyrics on this new material command rather than inform. In the past, the rapper has never cared much for dancefloor fodder. But on “Future Calling”, his urgency to connect language with movement demonstrates an uncommon parlance – one that has the power to transform the ghettoblaster into a talismanic device of medicinal properties.
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Brooklyn indie rock band the Loom will release the sophomore album, Here in the Deadlights, on April 22nd via Crossbill/Stereocilia. It was a long hard road getting to this point for the band as frontman John Fanning went through an emotional storm in his personal life that had him examining everything, including his music, as he rebuilt his life. While that process was painful and difficult, it afforded Fanning the opportunity of a rebirth, something he channeled into the Loom’s new music. The Loom has always been interested in repetition and grooves, things that are the primary concern of electronic music and it’s interesting how Fanning and the Loom are able to borrow dance music aesthetic elements and make them seem completely organic to indie rock. Here in the Deadlights is the first of two records that the band has ready to release as they have found so much creative inspiration drawing from the drama inherent in every day life.
PURSES (including members of bands like District Attorneys, Party Dolls, Modern Skirts, Grand Vapids, Blue Blood, Crooked Fingers, and more) made a catchy debut with their “Hitchhiker/Wheels on the Run” double-single. Newest single “Clementine” offers further proof that their debut record should contain equal parts jangle, indie pop guitars, noise, harmonies, and anything else in between. “Clementine” offers a new facet of the band’s sound, as they explore some push-and-pull dynamics. Guitars stab through the song’s quiet vibe, building up to walls of sound and ebbing again before coalescing into an insistent lead line to close things out. B-side “White Wire Handle” feels more down-home, with a lo-fi treatment on the vocals and a four-to-the-floor arrangement that lands just on this side of IRS-era R.E.M.
Defining itself as “a collective of musicians with backgrounds in contemporary classical, metal, jazz, and folk music, all who happen to play rock music [sic]”, Brooklyn outfit Emanuel and the Fear (led by Emanuel Ayvas) proved to be an incredibly eclectic, skillful, and striving troupe on its previous two LPs, Listen (2010) and The Janus Mirror (2013). Channeling the instrumental prowess and/or symphonic melodic grip of ELO, Frank Zappa, and the Dear Hunter (among many other diverse acts), the group always takes its listeners to unexpected places while also maintaining certain distinctive traits. Fortunately, both expectations are met on “Meredith”, the first single from their upcoming third studio album, Primitive Smile.
With its 2014 debut LP, The Fall, “dark, alternative, new-wave duo [sic]” Se Delan (English multi-instrumentalist Justin Greaves and Swedish singer Belinda Kordic) proved itself as one of the most distinctive and auspicious new acts on Kscope. Brimming with ghostly vocals, gritty atmospheres, and a gregarious balance of chaotic density and moody sparsity, the collection was a haunting opus that left fans eager for a studio follow-up. Fortunately, the twosome’s sophomore effort, Drifter, will be arriving on April 29th, and to assuage the wait a bit, they’ve just issued the first single from the record, “Going Home”.