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by PopMatters Staff

13 May 2014

Photo by
Ryan Bourque

With the pensive tone of his acoustic strum and forlorn voice, Sad Brad Smith lives up to the modifier of his name. But there’s just a touch of ringing melody to sweeten his twangy folk sound on his new track, “On the Beach,” which premieres on PopMatters. “On the Beach” appears on Sad Brad Smith’s upcoming album Magic, which comes out 20 May.

by PopMatters Staff

12 May 2014


Of the Everymen’s 2012 album New Jersey Hardcore, PopMatters Associate Music Editor Matthew Fiander wrote, “This is as populist as a rock party gets, and yet despite the common tropes the band visits (and revisits), the emotions still feel specific and dig almost as deep as the hooks do.” That assessment rings true about the Everymen’s new album Givin’ Up on Free Jazz and then some: Expanding from a core pairing of Mike Venutolo-Mantovani and Catherine Herrick to a full-on nine-piece act, this latest effort runs the gamut of retro-y rock styles, with a good humored camaraderie that they’re enjoying what they do holding it all together.

Venutolo-Mantovani shared some thoughts on the album via email in advance of the release of Givin’ Up on Free Jazz, which premieres on PopMatters. The new album comes out on 20 May, via Ernest Jenning Record Co.

by PopMatters Staff

28 Apr 2014


Maryam Qudus grew up in a Muslim household, the daughter of Afghani ex-patriots, with early musical gifts that led her onto the Berklee College of Music in 2011. She has been making music constantly since that time, writing all of her material and mastering many instruments, while perfecting her enigmatic voice.

by PopMatters Staff

23 Apr 2014


Pigeon John grew up listening to pop as much as hip-hop and he brings that broad sensibility to his work, creating songs that are fiercely independent of any genre expectations. That musical exploration and curiosity always renders Pigeon John’s records as intriguing listens.

by PopMatters Staff

22 Apr 2014


The three brothers—Frankie, Patrick, and Michael O’Malley—grew up in a musical home full of classic albums and instruments belonging to their musician/collector father. The O’Malleys learned and played together all through their youth, which explains why the Safes are so tight and right on the money with every note and rhythm. Next week sees the release of the Safes’ latest slab of rock ‘n’ roll. Spring is finally here… time to rock.

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