Pigeon John grew up listening to pop as much as hip-hop and he brings that broad sensibility to his work, creating songs that are fiercely independent of any genre expectations. That musical exploration and curiosity always renders Pigeon John’s records as intriguing listens.
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The three brothers—Frankie, Patrick, and Michael O’Malley—grew up in a musical home full of classic albums and instruments belonging to their musician/collector father. The O’Malleys learned and played together all through their youth, which explains why the Safes are so tight and right on the money with every note and rhythm. Next week sees the release of the Safes’ latest slab of rock ‘n’ roll. Spring is finally here… time to rock.
For those looking to counter the consumerism of St. Patrick’s Day, singer/songwriter Tim Larson may have just the remedy. Larson has recorded a cover of the Irish standard “The Unquiet Grave”. Spare, evocative, and almost gospel-like, Larson’s take on the classic tune is perfect for those who prefer to have a quiet St. Paddy’s, without the allure of cheap green beer surrounding them. This “Unquiet Grave” is best accompanied by an Irish whisky in a dimly lit room.
As the bio for Violent Mae states, the duo of Becky Kessler and Floyd Kellogg “never intended to be a band. Becky asked Floyd to record and produce her first solo album, and as soon as they hit the studio, chemistry and dynamics between the two sparked the evolution of an artistic partnership.” Their meeting must have been kismet given that their collaboration resulted in a solid debut, the self-titled album Violent Mae, a shout-out from Paste as a Connecticut band to know and an award for best new band in the Connecticut music scene from CTNow.com.
Fiona Bevan‘s debut album, Talk to Strangers, releases in the UK on 28 April via Navigator Records and is sure to appeal to fans of artists as diverse as Björk, Joanna Newsom and Lianne La Havas. “The Machine” is the record’s first single. “‘The Machine’ came from being angry and frustrated about the state of the world and from my feelings of powerlessness to do anything about it,” Bevan says. “Within the song, there’s a shift – that’s about breaking out and finding how you can have power in your own life, in everything you do.”
// Sound Affects
"On the elusive yet clearly existential sadness that adds layers and textures to music.READ the article