Latest Blog Posts

by Evan Sawdey

14 Sep 2016


Photo: Simon Cardoza

Not a lot of people know of the Marches, but the select people that know of Richard Conti’s found-instrument experiment know that as he compiles his songs one single take at a time, he eventually turns simple, funky melodies into something that sounds both old-school and modern at the same time, his albums walking a fine line between the familiar and the new, creating for a visceral, exciting listening experience.

Indeed, the Marches’ 2008 full-length, 4.a.m. Is the New Midnight and the covers-driven Director of Photography EP in 2010 helped establish Conti as a reliable savant of styles both old and new, his hammering horn-attack cover of Adele’s “Cold Shoulder” bringing actual adrenaline to the original while original works like the too-funky “Bad Touch” could very well have been masterminded by the kind folks at Daptone Records. (Full disclosure: The Marches even contributed a song to this writer’s own free compilation album Good With Words, adapting a cover song which then lead off the Director of Photography EP.)

by Sarah Zupko

12 Sep 2016


Caleb Klauder has been a singular force in the alt-country/string band scene in Portland, Oregon for many years with his influential band Foghorn Stringband as well as his storied solo career. Now, he is teaming with musical partner Reeb Willms, who he met back in 2009 at the National Old-Time Fiddle Contest, for a new album of 14 original songs, Innocent Road releasing September 30th, rooted deep in the world’s of bluegrass and country. The title tune “Innocent Road” is a super catchy, mandolin lead number with some jaunty riffs and gorgeous harmonies. Klauder and Willms meld together as a duo with the same naturalness as Chris and Morgane Stapleton.

by Jedd Beaudoin

12 Sep 2016


Photo: Alek Sensky

Dayton, Ohio’s Mouth of the Architect releases Path of Eight on October 7 via Translation Loss Records. You can hear the track “Fever Dream” from the album now.

Though losing none of the formidable gravitas of past Mouth albums, Path of Eight and “Fever Dream” in particular bear witness to a band that has always been restless and inventive. The piece brings in the deep, spacious sounds of classic progressive and space rock, then tempers them with the fearless and far-reaching sounds of post-rock or, if you prefer, post-metal. The brilliant guitar atmospheres created by Steve Brooks and John Lakes not only helps buoy the track from one place to another, it also helps redefine heaviness. The song never overstates its case or veers toward heavy rock clichés but instead channels its energies into create a full-on listening experience that leaves the listener impressed and eager to hear what will come next.

by PopMatters Staff

8 Sep 2016


Photo: Jody Domingue

Co-founder of celebrated Americana band Sons of Fathers, Paul Cauthen left the group three years ago to focus on finding his true voice and building a solo career. Digging deep into the gospel music of his Texas youth, Cauthen‘s lead track from his new album, “My Gospel”, is a rousing statement of purpose that preaches of the need for love and the spiritual in this life, whatever form that might take. Cauthen’s voice on this track echoes a bit of Elvis with its deep tones, heavy vibrato and ability to move the listener. He connects right away with you, like Elvis, his voice rising to the heavens like it could move mountains.

by PopMatters Staff

8 Sep 2016


Britain’s Wendy Bevan is a wide-ranging artist with multi-disciplinary interests across culture. As much a performance artist and visual artist as she is a musician, Bevan commands attention with her theatrical style and enigmatic music that conjures mini movies in the listener’s head. She’s performed at London’s ICA and the Hackney Empire, as well as having her work incorporated into several film soundtracks. Now this modern day Renaissance woman is about to release her debut album, Rose & Thorn, tomorrow and you can preview it here. Bevan’s sound is built around drum machines, synthesizers and strings from the Balanescu Quartet and it verges between dark wave and cold wave.

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