Latest Blog Posts

by Adrien Begrand

23 Jul 2015

Photo by
Paul R. Watts, Jr.

Best known as the frontman for Delaware post-hardcore standouts Boysetsfire, Nathan Gray has set off on his own with his debut solo EP NTHN GRY. It’s a big musical departure too, as with the help of collaborator Daniel E. Smith the new record delves into electronic and darkwave, following the lead of Portishead and Dead Can Dance. For the concluding track “Wayward Ghosts”, however, Gray heads in a more folk-oriented direction, espousing his Satanic convictions – specifically the Church of Satan’s focus on individualism – eloquently and artfully. He’s just made a quietly powerful new video for the track that echoes the song’s sentiments very well.

by Adrien Begrand

22 Jul 2015


Ten months ago PopMatters premiered the clever “85” by New Zealand band Ha the Unclear from their debut album Bacterium, Look at Your Motor Go. We know a good thing when we hear it, and this time around, the Auckland foursome have returned with a splendid, brilliantly conceived new video for the dryly funny track “Growing Mould”. Musically the song references XTC and the Shins, as well as a little doo-wop, while the video, well, let’s let singer/guitarist Michael Cathro explain:

by Adrien Begrand

22 Jul 2015


Led by singer/clarinetist/washboard player Jess Eliot Myhre and guitarist Chris Ousley, Baltimore’s Bumper Jacksons evoke a bygone era of American music, integrating early jazz, bluegrass, blues, swing, and folk into a raucous, all-inclusive hybrid that sounds as loud and energetic as it had to have sounded decades and decades ago. Their latest album Too Big World comes out this week, and the gritty cover of the old American gospel song “Satan, Your Kingdom Must Come Down” is a great indication of what to expect.

by Adrien Begrand

22 Jul 2015

Photo by
Amy Peterson

Seattle sludge/doom trio Serial Hawk are set to release their debut full-length Searching For Light in a couple months, and as you can hear on the nine-minute track “Desolate’, it’s the sort of relentless yet hypnotic form of heavy music in the great tradition of Neurosis. Power and contemplation melded into one colossal whole, a track that swings as much as it stomps.

by Adrien Begrand

22 Jul 2015


After an extended stint as back-up singer on Miley Cyrus’s recent world tour, Nashville singer-songwriter Dani Elliott has kickstarted her solo career with her debut EP The Best Part. A part of the new generation of Nashville artists who venture well beyond the parameters of mainstream country while still acknowledging their heritage, Elliott’s music is contemporary and old-fashioned at the same time, which is nicely on display on the shimmering new single “Sinner”. Adorned with chillwave synths and a strong R&B influence, there’s still that rustic, Southern influence underneath it all. Featuring Elliott’s sumptuous vocal work, “Sinner” has great crossover appeal, and deserves to be heard.

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Double Take: 'The French Connection' (1971)

// Short Ends and Leader

"You pick your feet in Poughkeepsie, and we pick The French Connection for Double Take #18.

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