Los Angeles-based singer-songriter Haroula Rose is preparing to record her third album, which is slated for a 2016 release, but in the meantime she’s recorded a series of covers for the fun of it. One in particular is noteworthy, that being her gently playful bluegrass rendition of the classic Loudon Wainwright III composition “The Swimming Song”.
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In preparation for his chamber ensemble’s debut album, Maine native Will Mason headed to a cabin in the northern part of his home state. With no electricity, running water, phone (and of course no internet) he immersed himself in the idea of how powerful and at times frightening and overwhelming it can feel being completely isolated in nature. Beauty and dread walk hand in hand, and the mood can turn on a dime, which exactly the feeling you get on “Finn”, an extraordinary free-form 16-and-a-half-minute composition that forms the heart of the new album Beams of the Huge Night.
His first album since 2013’s covers collection Excitement at Your Feet and his first album of original material since 2011, prolific power pop veteran Tommy Keene is back with a new full length called Laugh in the Dark. One of the standout tracks is the roaring “Last of the Twilight Girls”, which plays right into Keene’s wheelhouse: jangly pop music juxtaposed with robust garage rock. If you’re not familiar with Keene’s music, this will serve as a wonderful introduction. If you are, you’ll be grinning from ear to ear.
Featuring musicians from New Orleans, Brooklyn, and Brazil, Nation Beat fuses New Orleans funk and maracatu drumming to create a sound that bursts with life. For their newest EP they’ve teamed up with Indian/funk group Cha Wa to create Carnival Caravan, a thunderous collection of tunes that waste no time in brightening your mood. of the lot, the call-and-response fun of “Liza Jane” is an immediate standout, and you can stream the track below.
14 years and seven albums into their career, Kylesa keep on evolving. Starting out as crust punk, morphing into more of a sludge metal sound, and finally expanding into a psychedelic heavy rock sound they can truly call their own, the Savannah, Georgia band have come into their own ever since the release of the revelatory Static Tensions album in 2009.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article