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by Adrien Begrand

14 Oct 2015


By the spring of 1981 Art Pepper was riding what would be the last creative wave of his checkered career before dying of a stroke a year and a half later. Incarcerated several times stemming from his heroin addiction, he enjoyed a very prolific period through the late-1970s and the turn of the decade, and in April 1981 55 year-old Pepper played a series of shows at New York’s iconic jazz club Fat Tuesday’s. Backed by pianist Milcho Leviev, bassist Georde Mraz, and drummer Al Foster, Pepper played five shows. An unreleased recording has been unearthed, remastered, and gorgeously packed into the CD/digital release Art Pepper Live at Fat Tuesday’s, which will be released 30 October on Elemental Music.

by Adrien Begrand

13 Oct 2015


Combining jam rock, reggae, hip hop, folk, and jazz, Blindman‘s music is friendly and inclusive, something you hear immediately on “Feels Good”, the New Jersey singer-songwriter’s vibrant new single. And as it turns out, there’s a sweet little story behind the genesis of the song.

by Adrien Begrand

13 Oct 2015


For all the attention fashionable noise rock bands such as Metz and the Band Formerly Known As Viet Cong have received, another Canadian band has quietly put out a debut album that is just as good, or perhaps even better than those two buzzworthy acts.

by Maria Schurr

13 Oct 2015


“Nouveau Wave” collective Dead Leaf Echo released single “Lemonheart” back in September. A highly limited, clear 7” of the song quickly sold out, but “Lemonheart” can still be streamed in its lush and chiming glory via Soundcloud.

“Lemonheart”’s b-side, “Sunlessoul”, is more somber, the setting sun to “Lemonheart’s” daybreak. It’s a lucid meditation that gives way to a beautiful coda, with guitarist / keyboardist Ana B’s backing vocals working in gorgeous contrast to frontman LG’s dreamy delivery.

by Adrien Begrand

13 Oct 2015


Part Cocteau Twins, part For Against, Norfolk, Virginia trio Wyteshayds mine the best aspects of late ‘80s dream pop. It’s lean, sharp at times as guitar lines slice left and right, but the sumptuous quality of the music creates an undeniable feeling of warmth, which is accentuated even more in the layered, slightly indecipherable vocal harmonies led by bassist Jacki Paolella.

//Mixed media
//Blogs

Culture Belongs to the Alien in 'Spirits of Xanadu'

// Moving Pixels

"The symbols that the artifact in Spirits of Xanadu uses are esoteric -- at least for the average Western gamer. It is Chinese culture reflected back at us through the lens of alien understanding.

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