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by PopMatters Staff

23 Aug 2016


Photo: Shervin Lainez

New York’s Hollis Brown is masterful in their approach to American roots music, with the band drawing from rock ‘n’ roll, soul, country, and a bit of blues. Hollis Brown inhabits these musical forms with a surprising degree of naturalness given their youth and they look to become a seminal figure in the thriving and growing Americana scene. The band’s latest release, Cluster of Pearls, released last Record Store Day and now they have a brand new single to share, the uber soulful, deeply moving “Don’t Want to Miss You”, which channels some Otis Redding and Gram Parsons, as well as the heartbreak from a painful breakup.

by PopMatters Staff

23 Aug 2016


Photo: Jay Sansone

Eric Krasno has been a prolific musician over the past 20 years, co-founding both Soulive and Lettuce, while playing, producing and songwriting for a host of the music world’s leading lights, such as Tedeschi Trucks, Talib Kweli, Norah Jones and more. Stepping out on his own has allowed the virtuosic guitar master to quite literally find his own voice as he takes the mic for the first time revealing an affecting, gentle, bluesy soul man. On his latest single, “Jezebel”, Krasno lays out a mellow soul/blues vibe with some slinky, masterful guitar playing and a tale of love gone wrong.

by PopMatters Staff

23 Aug 2016


Chicago’s post-punk darlings Radar Eyes are back with more jangly, percussive, hard-charging music as their latest album Radiant Remains nears its September 2nd release date. “Midnight Drive” will thrill fans of the Cure, Echo & the Bunnymen, and Joy Division. The band may call the Windy City home, but ‘80s British rock remains their greatest inspiration and the beautiful thing is that Radar Eyes’s music feels completely organic and possessed of kinetic energy. In other words, this isn’t tribute music to a bygone era; “Midnight Drive” is thoroughly of the present.

by Will Rivitz

22 Aug 2016


Picture Atlantic‘s “Billy Banker” is a song about a vampiric A&R man, chasing after a hapless band in the pursuit of sales, sales, sales. The song’s atmosphere fits this narrative appropriately: nose-thumbing lyrics (“Billy Banker / is a wanker” is the opening line), paranoid guitar, and energetic, sprinting drums and bass. It’s a loud cry against sucking out artistic vision and extracting pure profit, and its frenetic instrumental banking gives that cry nice heft.

by PopMatters Staff

19 Aug 2016


Photo: Julian Marshall

Nouvelle Vague are well-known for their bossa nova reinterpretations of ‘80s and ‘90s punk, new wave, and post-punk songs and the French group is back with a new EP, Athol Brose, releasing September 2nd. The EP will include new takes on old classics as well as this remix of Joy Division’s “Love Will Tear Us Apart” from their 2004 self-titled album. This airy Dream Koala remix reenvisions the tune as an ethereal, dreamy, bit of ambient chill-out. Very sleek and trippy.

//Mixed media
//Blogs

I Just Murdered My Sister, and It Was Kind of Fun

// Moving Pixels

"The Deed makes murder a game, a pretty fun game.

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