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by PopMatters Staff

24 Aug 2016

Photo: Bob Longley

Last year, we said of Liz Longley’s debut album, “Longley’s clearly ready to seize on stardom, and this album provides all the proof that’s needed.” Fast forward to 2016 and Longley is back with her sophomore effort Weightless, which is packed to the gills with instantly memorable pop rock songs, many of which could be chartbound. Longley’s songwriting is top notch, full of relatable tales of life and relationships and Weightless is the sort of Lilith Fair inspired album that speaks to Longley’s love of ‘90s music. “I grew up listening to music of the ‘90s, and this record feels more like the Sheryl Crow and Alanis Morissette in me,” Longley says. “All those powerful chick singer-songwriters I grew up loving.”

by PopMatters Staff

23 Aug 2016

Photo: Shervin Lainez

New York’s Hollis Brown is masterful in their approach to American roots music, with the band drawing from rock ‘n’ roll, soul, country, and a bit of blues. Hollis Brown inhabits these musical forms with a surprising degree of naturalness given their youth and they look to become a seminal figure in the thriving and growing Americana scene. The band’s latest release, Cluster of Pearls, released last Record Store Day and now they have a brand new single to share, the uber soulful, deeply moving “Don’t Want to Miss You”, which channels some Otis Redding and Gram Parsons, as well as the heartbreak from a painful breakup.

by PopMatters Staff

23 Aug 2016

Photo: Jay Sansone

Eric Krasno has been a prolific musician over the past 20 years, co-founding both Soulive and Lettuce, while playing, producing and songwriting for a host of the music world’s leading lights, such as Tedeschi Trucks, Talib Kweli, Norah Jones and more. Stepping out on his own has allowed the virtuosic guitar master to quite literally find his own voice as he takes the mic for the first time revealing an affecting, gentle, bluesy soul man. On his latest single, “Jezebel”, Krasno lays out a mellow soul/blues vibe with some slinky, masterful guitar playing and a tale of love gone wrong.

by PopMatters Staff

23 Aug 2016

Chicago’s post-punk darlings Radar Eyes are back with more jangly, percussive, hard-charging music as their latest album Radiant Remains nears its September 2nd release date. “Midnight Drive” will thrill fans of the Cure, Echo & the Bunnymen, and Joy Division. The band may call the Windy City home, but ‘80s British rock remains their greatest inspiration and the beautiful thing is that Radar Eyes’s music feels completely organic and possessed of kinetic energy. In other words, this isn’t tribute music to a bygone era; “Midnight Drive” is thoroughly of the present.

by Will Rivitz

22 Aug 2016

Picture Atlantic‘s “Billy Banker” is a song about a vampiric A&R man, chasing after a hapless band in the pursuit of sales, sales, sales. The song’s atmosphere fits this narrative appropriately: nose-thumbing lyrics (“Billy Banker / is a wanker” is the opening line), paranoid guitar, and energetic, sprinting drums and bass. It’s a loud cry against sucking out artistic vision and extracting pure profit, and its frenetic instrumental banking gives that cry nice heft.

//Mixed media

Virtual Reality and Storytelling: What Happens When Art and Technology Collide?

// Moving Pixels

"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.

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