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by PopMatters Staff

29 Sep 2016


Photo: Darren Lau

If “Drunks” is any indication, Americana/pop duo Johnnyswim has a thrilling new album, Georgica Pond, releasing on October 14th. The song begins with a gentle acoustic hum that builds slowly and organically into a rousing anthem. The harmonies are gorgeous and the background vocals grow into a stunning choral-like backdrop. It’s affecting and moving.

by Eric Risch

28 Sep 2016


Photo: Kyle Dean Reinford

Shaking hips and breaking hearts, Nashville singer/songwriter Becky Warren nails the immediacy of Saturday night revelry with “Dive Bar Sweetheart”, its toss ‘em back roadhouse groove introducing June, the female lead of her forthcoming solo debut, War Surplus. A story cycle revolving around the before and after effects of love during the Iraq war, “Dive Bar Sweetheart” marks June’s red carpet debut to Scott, the soon-to-be deployed soldier who will never be the same.

by Jedd Beaudoin

27 Sep 2016


Photo: Zsolt Reti

“Winning a Losing Battle” is taken from the upcoming Crippled Black Phoenix release, Bronze, out November 4 via Season of Mist. The nine-minute track reaches far and wide as it takes listeners from the vintage progressive rock era of Pink Floyd and Robert Wyatt to the contemporary sounds of post-rock. Along the way there are brief pauses for passages that call to mind film scores and the New Wave of British Heavy Metal.

by PopMatters Staff

23 Sep 2016


JUNO and Polaris Prize-nominated singer-songwriter Donovan Woods released a deluxe edition of his fourth album, Hard Settle, Ain’t Troubled, back on August 22nd that includes four bonus live performance tracks. Woods’ profile is rising quickly and making his hometown of Toronto proud as he’s become an in-demand songwriter in Nashville with his plainspoken but universal lyrics. “What They Mean” premieres today on PopMatters.

by Eric Risch

23 Sep 2016


Photo: Katrena Rochell

Having relocated to Nashville from Los Angeles at the turn of the decade, singer/songwriter Stewart Eastham launched his solo career in 2013 after disbanding his original group, Day of the Outlaw. Reconvening the rhythm section of his former band for sophomore solo outing Dancers in the Mansion, Eastham’s goal was to create an album of songs with a “head bobbin’ vibe”.

//Mixed media
//Blogs

I'm Going to Kill You: 'Johnny Guitar' Gets the Class Treatment

// Short Ends and Leader

"One tends to watch this film open-mouthed in wonder at the forceful dialogue, the colorful imagery, and the sheer emotional punch of its women.

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