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by PopMatters Staff

25 May 2016


Electronic duo Filastine is comprised of composer/director Grey Filastine and vocalist/designer Nova Ruth. On his many travels, Grey met Nova in Indonesia where she had been performing with a hip-hop group. Joining forces and basing themselves in Barcelona, Filastine specializes in a cinematic brand of electronic music that utilizes many global influences alongside found sounds, percussion, vocals, and acoustic instruments. The result is an irresistibly warm blend of the digital and the analogue that renders their music as meant for the mind as much as the feet. This year Filastine has been working on a series of four video singles, Abandon, representing dances of liberation and today we bring you the second video of the series, “The Cleaner”.

by Sarah Zupko

25 May 2016


Seattle’s Western Centuries keep the fire alight for real honest to goodness honky tonk country music. Dale Watson would be likely to say “that’s a real country song”. But the band’s members—Cahalen Morrison, Ethan Lawton, Jim Miller—come from vastly different musical backgrounds and all bring something unique to the table. Morrison comes from the Americana scene with a youth spent playing in New Mexico conjunto bands, while Lawton is a Seattle native who was devoted to punk and hip-hop before he fell head-over-heels in love with bluegrass. Meanwhile Miller was a heavy in the jamband world, founding the highly popular Donna the Buffalo. And they all meet to make first class authentic country music.

by PopMatters Staff

24 May 2016


Photo: Anya Roz

Hazmat Modine co-songwriter Wade Schuman sums up his band perfectly saying, “I think our band is like a really good NYC diner. The food comes from every tradition you can think of, but in the end it’s really the ultimate American comfort food.” Hazmat Modine’s membership includes musicians of various ages, races and backgrounds, a true melting pot, just like New York City, and their music draws from a host of American traditions including early jazz, the American popular songbook, blues, country, R&B, as well as a variety of world beats. It’s makes for exciting music that is always open to new influences and change. Hazmat Modine’s third album, Extra-Deluxe-Supreme, is meant as something of a document of their 10-year history and their adventures traveling the world, absorbing new influences and spreading American roots musics far and wide.

Hazmat Modine’s Extra-Deluxe-Supreme releases June 3rd via Barbès Records and today we are bringing you the video for the band’s new single, “Moving Stones”.

by PopMatters Staff

23 May 2016


Photo: Holly J. Schumacher

East Tennessee’s Derik Hultquist did what lots of musical dreamers do… he headed straight to Nashville after graduation. Like most, he worked the odd jobs to support himself while working hard on developing his songwriting as well as discovering his true singing voice. Hultquist has released a number of EPs over the years as his music progressed and now, after 10 years in Nashville, he is set to release his full-length debut album, Southern Iron, coming June 17th via Carnival Music/Thirty Tigers. Southern Iron is a well-crafted set of Hultquist’s original songs living in the country/pop sphere with songs that occasionally feature elements of psychedelic and roots rock.

by PopMatters Staff

19 May 2016


Australia’s CW Stoneking grew up in a remote part of the Northern Territory, but he fell in love early with gospel music, blues and ragtime and those first loves have been with him ever since. Stoneking notes that when he first heard blues he “thought it was kinda funny music because it was so deconstructed and not really adhering to any rules that I’d been told music [should] fit into.” Robert Johnson and Son House are among Stoneking’s influences, which makes sense given Stoneking’s raw, unvarnished, passionate form of the blues. That rawness has always been a part of country blues at least and it melds well with Stoneking’s somwehat punk sensibility.

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You Should Dance Like Gene Kelly Today

// Global Graffiti

"In the glut of new "holidates", April and May offer two holidays celebrating the millions who preserve and promote the art of dance

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