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With psych and krautrock influences aplenty, Mondo Drag’s self-titled full-length, their first for the Los Angeles label RidingEasy Records, is one hazy good time. The band’s psychedelic bonafides, more than apparent in the music of Mondo Drag, has already been established through the music of the retro rock/metal outfit Blues Pills, which features many of the same band members. Swirling, mind-numbing textures meld with the swagger of classic rock—the Rolling Stones in particular—in this potent sonic brew.

The Light, the new album by Austin, Texas natives Uncle Lucius, has been described as occupied with the “themes of travel, movement, and quests without destinations.” The tune “Don’t Own the Right”, however, features a message that you can and indeed should carry with you no matter where you travel to, no matter your destination. Over a honky-tonk piano and countrified guitar playing, frontman Kevin Galloway spins lyrical threads about the importance of being honest about one’s own standards for himself and others.

A true transcontinental affair, Spun, the latest LP by the Greek folk musician Moa Bones (aka Dimitris Aronis), reeks of dust, tumbleweeds, and the cawing of desert crows. From the sound of his music, Moa Bones sounds like he was born and raised in a John Ford film, but his actual home is Greece, where he crafts his distinct take on American music. Spun is being billed as containing “extracts of a five-year mini autobiography”; for one such extract, check out the dusky noir of “Take It All Away”, which you can stream exclusively below.

The zig-zag of the guitar riffs on “Daylights Gone”, the newest tune by the rising Seattle outfit Motopony, show that this young sextet has a musical trick or two up their sleeves. The fact that intricate guitar work is the focal point of the track is somewhat unsurprising, given that the band has a healthy arsenal of three guitarists to its name—an atypical feature for a rock band in the present day. “Daylights Gone” features on Motopony’s forthcoming sophomore outing, Welcome You, which was produced by Mike McCarthy (Spoon, Heartless Bastards, Trail of Dead) and mixed by Guy Massey (Spirtualized, Manic Street Preachers, Ed Sheeran).

A mélange of rock styles come together in the music of the Vanity, a young project based out of Austin, Texas. In songwriting and guitar tone, elements of mainstream indie come through, as do some undercurrents of the blues. But whatever one hears in the Vanity’s music, there’s no denying that these five guys are a rising talent in Austin’s bourgeoning music scene; things are only looking up for them.

//Blogs

Is Black Widow Still a Hero? Dissecting the Misogynistic Outrage Against the Avengers

// Short Ends and Leader

"Black Widow may very well be the pinnacle of the modern action heroine, so why is there so much backlash about her role in the new Avengers film?

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