It’s not every day you get a new song that fades out anymore, but it’s rarer to get one that fades in as well as out. It’s a dying trend, but one that ASG singer/guitarist Jason Shi and Thunderlip drummer Johnny Collins decided to exploit on “Lions”, a fantastic new track by their collaboration Wildlights. It’s a bit of a delayed start as a result, but when it gets going it’s a swift, groovy blast of sunny skate punk and hazy desert rock.
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Cindy Wasserman and Frank Lee Drennan, also known as Dead Rock West, recently put out the album It’s Everly Time!, a 13-song tribute to the Everly Brothers. Featuring an array of standards and underrated tracks, their latest single is their cover of the 1965 song “The Price of Love, which has been re-recorded live for their new video for the track.
The band might be led by its namesake, Brooklyn musician Chuck Stern, but anyone familiar with the underground/experimental/heavy music coming from the borough will see Stern as a supergroup. Partnering with Keith Abrams of Kayo Dot, Toby Driver of Kayo Dot and Vaura, and kayo Dot/Candiria collaborator Tim Byrnes, Stern has created a surreal hybrid of gothic rock, DC post-hardcore, progressive rock, and post-metal, with a strong Faith No More influence tossed in, and the end result is the extraordinary new album Bone Turquoise. If you want a good indication of how surreal and enthralling it is, you can’t do much better than “Your Level Best”, a weirdly gloomy track that slogs along like a dirge sung by a lunatic. Trust us on that one.
How the Sweeplings came to be is unusual, but in keeping with contemporary culture. Singer-songwriter Whitney Dean was watching America’s Got Talent at home in Huntsville, Alabama, and was entranced by the vocal talent of finalist and Spokeane, Washington resident Cami Bradley. At his wife’s urging he flew out to meet Bradley in Spokane, the musicians clicked, and the end result is Rise and Fall, a combination of Americana grit and Southern soul, brought forth by Bradley’s dulcet voice.
Having grown up in a North Dakota town of 50 people, Ana Egge‘s music is seemingly spare at times, which makes you wonder if that geographical vastness has influenced the similar sparseness of her music. If you’ve ever spent time in a tiny town on the Plains, though, you’ll know there’s a lot of heart underneath such seeming harshness and isolation, and you feel it in the title track for Egge’s latest album, a song that’s also very near and dear to her as well.
// Moving Pixels
"The Fall raises questions about the self and personal identity by considering how an artificial intelligence governs itself.READ the article