Artsy Los Angeles rockers Eagle and Talon go dancey on new In Manila EP.
Artsy Los Angeles rockers Eagle and Talon have a new EP on tap 22 February called In Manila. The Washington Post called the duo’s debut “wild, wonky post-punk”, but this time out the girls are going for a bit more danciness, while losing none of that delightful “wildness” or “wonkiness”. Eagle and Talon head into sure-fire party mode on the title track, “In Manila”, that we present to you today in the video’s online premiere.
Junior Senior's Jesper Mortensen teams with Leah Hennessey for fuzzy, pop-punk debut.
When Junior Senior disbanded, Denmark’s Jesper Mortensen headed to London and then on to New York City to form a new pop band. Teaming with Leah Hennessey, who just happens to be the step-daughter of New York Dolls main man David Johansen, the two formed MAKE OUT. “What U Doing Later?” highlights the punky pop approach the band are taking, with a fuzzy, gritty ‘70s Lower East Side aesthetic at the forefront, something we’re hearing a lot more of these days. MAKE OUT release their debut EP How To later this month (22 February) and also have an upcoming show at New York’s Tammany Hall on 10 February.
01 I Don’t Want Anybody That Wants Me
02 What U Doing Later?
03 True Love Is Just Too Hard to Find
The Two Koreas new tune, "Midnight Brown", is a frenetic tune bursting at the seams with both energy and instant catchiness.
The Two Koreas jagged, riff-heavy rock samples from the glory decades in music’s recent past, with nods to ‘60s garage beat, ‘70s British punk, ‘80s post-punk, and ‘90s alternative rock, a sound the band labels “glacial garage”. The Toronto band’s 2007 sophomore effort Altruists tore it up on Canadian radio and earned the group some early blog buzz. The haven’t lost a step in the past four years as they are about to unleash their latest, Science Island on 1 March. “Midnight Brown” is a frenetic tune bursting at the seams with both energy and instant catchiness. It reverberates in the head long after the last notes have sounded, creating a lasting impression in a crowded musical world stocked with ephemeral moments.
On Lohio's debut video for “Adelai”, which is the lead single for Family Tree, the group aims for an Arcade Fire-like grand statement—complete with a visual meditation on adolescent wistfulness and anxiety—and the effort pays off brilliantly.
On Lohio’s new five-song EP Family Tree, the Pittsburg-based band blend indie-folk and chamber pop, topped with male/female vocal dynamics, creating a sound packed with wholehearted rhythmic nuances and lush arrangements. Lohio—which consists of singer/songwriter Greg Dutton, bassist/vocalist Liz Adams, guitarist Erik Cirelli and drummer Dave Bubbenheim—says one of their goals on the EP was to paint a “portrait of the way a band can become your family”, and the end result is their most captivating work yet. On Lohio’s debut video for “Adelai”, which is the lead single for Family Tree, the group aims for an Arcade Fire-like grand statement—complete with a visual meditation on adolescent wistfulness and anxiety—and the effort pays off brilliantly. The band, which has shared the stage with the likes of Ra Ra Riot, the Avett Brothers and Tokyo Police Club, are set to hit the road next month (the dates are listed below). You can stream or download Family Tree over at Lohio’s Bandcamp website.
France's Emilie Simon relocates to NYC and records a "transcription of the impression [she] had of New York, with both a black and white musical feel to it."
France’s Emilie Simon has conquered her home country with hit records and three Victoires de la Musique wins, which is the akin to the Grammys. A restless soul, she’s moved to Brooklyn to begin the next stage of her musical adventures. Her latest album is The Big Machine and “Rainbow” is the new poppy single. Guests on the record include Kelly Pratt and Jeremy Gara from Arcade Fire, and Jon Natchez from Beirut. As a transplant to the Big Apple, Simon has an outsider’s fascination with the city and has described the intent of The Big Machine as “the transcription of the impression I had of New York, with both a black and white musical feel to it, urban, heavy on bass and drums and with explosions of colour and light from the synths.”